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Tess Strebel can’t recognize her own face.

She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband.

Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: She was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

Tess has no choice but to accept her new life and hope her memory will return. After all, why should she doubt the letter she wrote to herself? Or the kind man from the wedding photos on her dresser who seems to genuinely care about her well-being?

And then Tess receives a text message on her phone. One that changes everything:

"Don’t trust the man who calls himself your husband."

My husband is dead.

I attended his funeral. I watched his casket be lowered six feet into the ground. (Actually, it may have been only five feet, but that still seems like more than enough.) And then we ate an array of finger sandwiches and deviled eggs and miniature beef wellingtons that cost more than my first car.

My point is, Grant is gone. And so are all his many, many deep, dark secrets which I never really ever bothered to ask him about. He is never coming back.

So why do I still see his face everywhere I go?

The Widow's Husband's Secret Lie is an utterly addictive, unputdownable, nail-biting, absolutely gripping psychological thriller novella with a shocking, breathtaking, heartstopping, spine-chilling twist that you won't see coming, will leave you stunned, and will literally have you picking your jaw up off the floor and bringing it to the nearest hospital for major facial reconstructive surgery.

How far would you go to belong?

Maya has returned to Princeton for her college reunion—it’s been a decade since she graduated, and she is looking forward to seeing old faces and reminiscing about her time there. This visit is special because Maya will also be attending the graduation of her little sister, Naomi.

But what should have been a dream weekend becomes Maya’s worst nightmare when she receives the news that Naomi is dead. The police are calling it an accident, but Maya suspects that there is more to the story than they are letting on.

As Maya pieces together what happened in the months leading up to her sister’s death, she begins to realize how much Naomi hid from her. Despite Maya’s warnings, Naomi had joined Sterling Club, the most exclusive social club on campus—the same one Maya belonged to. And if she had to guess, Naomi was likely tapped for the secret society within it.

The more Maya uncovers, the more terrified she becomes that Naomi’s decision to follow in her footsteps might have been what got her killed. Because Maya’s time at Princeton wasn’t as wonderful as she’d always made it seem—after all, her sister wasn’t the first young woman to turn up dead. Now every clue is leading Maya back to the past . . . and to the secret she’s kept all these years.

A unique locked-room debut with a memorable intergenerational relationship and gaming angle, about a grandmother and granddaughter who are snowed in at a lavish party at a mansion where the host has been murdered, and the unlikely sleuthing pair must draw on a unique skillset to navigate a dangerous game together

Widow Mimi lives on idyllic Mackinac Island where cars are not allowed and a Gibson with three onions at the witching hour is compulsory. Her granddaughter, Addie, is getting over the heartbreak of her fiancé, Brian, dumping her and cutting her out of the deal for the brilliantly successful video game, Murderscape, they invented together (with Addie doing most of the heavy lifting).

When Mimi gets an invitation from local socialite Jane Ireland--a seventysomething narcissist who is having an affair with her son-in-law--to a charity auction, it is the perfect excuse to get Addie to join her for the weekend. What Mimi isn’t telling Addie is that a blackmail threat from Jane looms over the party’s invitation.

In case the scene wasn’t already set for a turbulent weekend, a big storm rolls in, trapping everyone in the mansion. And then, Jane’s body is found. Soon Mimi and Addie are caught in a dangerous game, relying on their skills (Mimi loves a crossword puzzle, and Addie is a brilliant game designer, after all) to narrow down the suspects. When another body turns up, the sleuthing pair realize someone else is playing a deadly game, and they might not survive the night. . . .

A GOODREADS HOTTEST DEBUT

“So stunningly fresh and darkly funny that every page surprised me. Morgan Dick doesn’t just craft a clever plot—she writes brilliantly about grief and addiction and inheritance and, yes, redemption.”
—Catherine Newman, author of the New York Times bestseller Sandwich

A darkly funny debut novel about two estranged sisters who are unknowingly thrown together by their problematic father’s dying wish

Mickey and Arlo are half sisters. But they’ve never spoken and never met. Arlo adored her father—but always lived in the shadow of his magnetic personality and burdensome vices. Meanwhile, their father abandoned ?Mickey and her mother years ago, and Mickey has hated him since. When she receives news of her father’s passing, Mickey is shocked to learn that he’s left her his not-inconsiderable fortune. The catch: Mickey must attend a series of therapy sessions before the money can be released.

Unbeknownst to either woman, the psychologist Mickey’s father has ensured she meets with is her half sister, Arlo. Having cared for her beloved father on his sickbed, Arlo is devastated to discover he’s cut her out of his will. She resolves to learn where the money went and why.

Working together as therapist and patient—with no idea that they’re in fact sisters—Arlo and Mickey soon get under each other’s skin. Arlo, eager to outrun a mistake in her professional past, is keen to redeem herself with her new client. But Mickey is far from the model patient. As Mickey’s personal and professional lives spiral out of control and Arlo uncovers the truth about who her new patient really is, the sisters find themselves on a crash course that will break—or save—them both.

A stunning reimagining of Bluebeard—one of the most mythologized serial killers—twisted into a modern tale of toxic masculinity, a feminist sermon, and a folktale for the twenty-first century.

The tale begins with Agnes. After losing her baby, Agnes is called to the great manor house to nurse the local lord’s baby boy. But something is wrong with the child: his nails grow too fast, his skin smells of soil, and his eyes remind her of the dark forest. As he grows into a boy, then into man, a plague seems to follow him everywhere. Trees wither at the roots, fruits rot on their branches, and the town turns against him. The man takes a wife, who bears him a son. But tragedy strikes in cycles and his family is forced to consider their own malignancy—until wife after wife, death after death, plague after plague, every woman he touches becomes a ghost. The ghosts become a chorus, and they call urgently to our narrator as she tries to explain, in our very real world, exactly what has happened to her. The ghosts can all agree on one thing, an inescapable truth about this man, this powerful lord who has loved them and led them each to ruin: If you leave, you die. But if you die, you stay.

Natalia Theodoridou’s haunting and unforgettable debut novel, Sour Cherry, confronts age-old systems of gender and power, long-held excuses made for bad men, and the complicated reasons we stay captive to the monsters we love.

Notes from a Regicide is a heartbreaking story of trans self-discovery with a rich relatability and a science-fictional twist from award-winning author Isaac Fellman.

When your parents die, you find out who they really were.

Griffon Keming’s second parents saved him from his abusive family. They taught him how to be trans, paid for his transition, and tried to love him as best they could. But Griffon’s new parents had troubles of their own – both were deeply scarred by the lives they lived before Griffon, the struggles they faced to become themselves, and the failed revolution that drove them from their homeland. When they died, they left an unfillable hole in his heart.

Griffon’s best clue to his parents’ lives is in his father’s journal, written from a jail cell while he awaited execution. Stained with blood, grief, and tears, these pages struggle to contain the love story of two artists on fire. With the journal in hand, Griffon hopes to pin down his relationship to these wonderful and strange people for whom time always seemed to be running out.

In Notes from a Regicide, a trans family saga set in a far-off, familiar future, Isaac Fellman goes beyond the concept of found family to examine how deeply we can be healed and hurt by those we choose to love.