The Housemaid's Wedding (The Housemaid #2.5)
The Housemaid’s Wedding is a winter-themed short story meant to fill in the long gap between Book 2 of the Housemaid series (The Housemaid’s Secret) and Book 3 (The Housemaid is Watching). It can be read either between Book 2 and Book 3, or after Book 3.
Today is supposed to be the happiest day of my life.
I'm engaged to the man of my dreams, and in a few short hours, I'm going to stand before a judge, who will declare us husband and wife, till death does us part. Despite some bumps in the road, this day is everything I dreamed it would be.
There's only one problem:
Someone out there doesn't want me to live long enough to say my vows.
And if I'm not careful, they may very well get their wish.

You Killed Me First
Three women. Three smouldering secrets. Who will make it out alive?
It’s 5 November, and a woman awakens to a nightmare. Bound and gagged, she lies trapped in the heart of a towering bonfire. As the smoke thickens, panic sets in – she’s moments away from being engulfed in flames. How did it come to this?
Rewind eleven months: Margot, a faded TV star, and her long-suffering friend Anna watch as glamorous Liv and her flawless family move into their street. The three women soon fabricate the perfect pretence of friendship, but each harbours her own deadly secret – and newcomer Liv senses something is terribly wrong beneath the polished exteriors.
As cracks widen in the veneer of perfection and lies escalate out of control, tension ignites. Bonfire Night is approaching and someone is set to burn…But who will it be?

Kill for Me Kill for You
For fans of The Silent Patient and Gone Girl, a razor-sharp and Hitchcock-inspired psychological thriller about two ordinary women who make a dangerous pact to take revenge for each other after being pushed to the brink.
One dark evening on New York City’s Upper West Side, two strangers meet by chance. Over drinks, Amanda and Wendy realize they have much in common, especially loneliness and an intense desire for revenge against the men who destroyed their families. As they talk into the night, they come up with the perfect if you kill for me, I’ll kill for you.
In another part of the city, Ruth is home alone when the beautiful brownstone she shares with her husband, Scott, is invaded. She’s attacked by a man with piercing blue eyes, who disappears into the night. Will she ever be able to feel safe again while the blue-eyed stranger is out there?
Intricate, heart-racing, and from an author who “is the real deal” (Lee Child, #1 New York Times bestselling author), Kill for Me, Kill for You will keep you breathless until the final page.

The Library of Lost Dollhouses
When a young librarian discovers historic dollhouses in a hidden room, she embarks on an unexpected journey that reveals surprising secrets about the lost miniatures.
Tildy Barrows, Head Curator of a beautiful archival library in San Francisco, is meticulously dedicated to the century’s worth of inventory housed in her beloved Beaux Art building. She loves the calm and order in the shelves of books and walls of art. But Tildy’s uneventful life takes an unexpected turn when she, first, learns the library is on the verge of bankruptcy and, second, discovers two exquisite never-before-seen dollhouses. After finding clues hidden within these remarkable miniatures, Tildy starts to believe that Belva Curtis LeFarge, the influential heiress who established the library a century ago, is conveying a significant final message.
With a newfound sense of spontaneity, Tildy sets out to decipher the secret history of the dollhouses, aiming to salvage her cherished library in the process. Her journey to understand introduces her to a world of ambitious and gifted women in Belle Époque Paris, a group of scarred World War I veterans in the English countryside, and Walt Disney’s bustling Burbank studio in the 1950s. As Tildy unravels the mystery, she finds not only inspiring, overlooked history, but also a future for herself, filled with exciting possibilities—and an astonishing familial revelation.
Spanning the course of a century, The Library of Lost Dollhouses is a warm, bright, and captivating story of secrets and love that embraces the importance of illuminating overlooked women of the past.

Where the Axe Is Buried
All systems fail. All societies crumble. All worlds end.
In the authoritarian Federation, there is a plot to assassinate and replace the President, a man who has downloaded his mind to a succession of new bodies to maintain his grip on power. Meanwhile, on the fringes of a Western Europe that has renounced human governance in favor of ostensibly more efficient, objective, and peaceful AI Prime Ministers, an experimental artificial mind is malfunctioning, threatening to set off a chain of events that may spell the end of the Western world.
As the Federation and the West both start to crumble, Lilia, the brilliant scientist whose invention may be central to bringing down the seemingly immortal President, goes on the run, trying to break out from a near-impenetrable web of Federation surveillance. Her fate is bound up with a worldwide group of others fighting against the global status quo: Palmer, the man Lilia left behind in London, desperate to solve the mystery of her disappearance; Zoya, a veteran activist imprisoned in the taiga, whose book has inspired a revolutionary movement; Nikolai, the President’s personal physician, who has been forced into more and more harrowing decisions as he navigates the Federation’s palace politics; and Nurlan, the hapless parliamentary staffer whose attempt to save his Republic goes terribly awry. And then there is Krotov, head of the Federation’s security services, whose plots, agents, and assassins are everywhere.
Following the success of his debut novel, The Mountain in the Sea, Ray Nayler launches readers into a thrilling near-future world of geopolitical espionage. A cybernetic novel of political intrigue, Where the Axe is Buried combines the story of a near-impossible revolutionary operation with a blistering indictment of the many forms of authoritarianism that suffocate human freedom.

The Coven Tendency
Zoe Hana Mikuta delivers a bloody and unrelenting fantasy about young witches dangling on the edge of love and obsession, of magic and madness, of life and death (and death and death and death). . .
Just like her mother and her mother’s mother, 18-year-old Vanity Adams is destined to lead a lavish life under the patronship of the Museum, someday taking her place as its premiere necromantic Spectacle and the centerpiece of their weekly soirees thrown for the City’s elite.
But until that day, Vanity (and the other young witches of the Museum) is isolated from the outside world and purged of her magic—magic being particularly unstable for teenagers and often leading to antisocial conduct, mood swings, bloodlust, delusions, and, most concerning, a habitual, violent obsession with one another.
To all of this, Vanity thinks: Well, whatever. Better than being confined to the Sanatorium with the less fortunate witches, imprisoned in a chemically induced coma as her blood is harvested to make World, the City’s favorite designer drug. At least she’ll be dead someday, there’s always that. And at least the Museum has Arrogance, Vanity’s twin sister, who just might remember how to do magic, and who just might be where our story begins. . . .
