The Housemaid's Wedding (The Housemaid #2.5)
The Housemaid’s Wedding is a winter-themed short story meant to fill in the long gap between Book 2 of the Housemaid series (The Housemaid’s Secret) and Book 3 (The Housemaid is Watching). It can be read either between Book 2 and Book 3, or after Book 3.
Today is supposed to be the happiest day of my life.
I'm engaged to the man of my dreams, and in a few short hours, I'm going to stand before a judge, who will declare us husband and wife, till death does us part. Despite some bumps in the road, this day is everything I dreamed it would be.
There's only one problem:
Someone out there doesn't want me to live long enough to say my vows.
And if I'm not careful, they may very well get their wish.
The Griffin Sisters' Greatest Hits
Sisters Cassie and Zoe Grossberg were born just a year apart but could not have been more different. Zoe, blessed with charm and beauty, yearned for fame from the moment she could sing into a hairbrush. Cassie was a musical prodigy who never felt at home in her own skin and preferred the safety of the shadows.
On the brink of adulthood in the early 2000s, destiny intervened, catapulting the sisters into the spotlight as the pop sensation the Griffin Sisters, hitting all the touchstones of early aughts fame—SNL, MTV, Rolling Stone magazine—along the way.
But after a whirlwind year in the public eye, the band abruptly broke up.
Two decades later, Zoe’s a housewife; Cassie’s off the grid. The sisters aren’t speaking, and the real reason for the Griffin Sisters’ breakup is still a mystery. Zoe’s teenage daughter, Cherry, who’s determined to be a star in spite of Zoe’s warnings, is on a quest to learn the truth about what happened to the band all those years ago.
As secrets emerge, all three women must face the consequences of their choices: the ones they made and the ones the music industry made for them. Can they forgive each other—and themselves? And will the Griffin Sisters ever make music again?
The Waiting (Renée Ballard #6; Harry Bosch #25; Harry Bosch Universe #39)
12 hours
LAPD Detective Renée Ballard tracks a terrifying serial rapist whose trail has gone cold, with the help of the newest volunteer to the Open-Unsolved Unit: Patrol Officer Maddie Bosch, Harry’s daughter.
Renée Ballard and the LAPD’s Open-Unsolved Unit get a hot shot DNA connection between a recently arrested man and a serial rapist and murderer who went quiet twenty years ago. The arrested man is only twenty-three, so the genetic link must be familial. It is his father who was the Pillowcase Rapist, responsible for a five-year reign of terror in the city of angels. But when Ballard and her team move in on their suspect, they encounter a baffling web of secrets and legal hurdles.
Meanwhile, Ballard’s badge, gun, and ID are stolen—a theft she can’t report without giving her enemies in the department the ammunition they need to end her career as a detective. She works the burglary alone, but her solo mission leads her into greater danger than she anticipates. She has no choice but to go outside the department for help, and that leads her to the door of Harry Bosch.
Finally, Ballard takes on a new volunteer to the cold case unit. Bosch’s daughter Maddie wants to supplement her work as a patrol officer on the night beat by investigating cases with Ballard. But Renée soon learns that Maddie has an ulterior motive for getting access to the city’s library of lost souls.
The Eights
They knew they were changing history.
They didn't know they would change each other.
Following the unlikely friendship of four of the first ever women to matriculate at Oxford University in the aftermath of the First World War, a captivating debut novel about sisterhood, self-determination and the many forms courage can take.
Oxford, 1920. For the first time in its 1000-year history, the world's most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms. Beatrice, Dora, Marianne and Otto (collectively known as The Eights) have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship.
Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Politically-minded Beatrice, daughter of a famous suffragette, sees Oxford as a chance to make her own way - and some friends her own age. Otto was a nurse during the war but is excited to return to her socialite lifestyle in Oxford - where she hopes to find distraction from the memories that haunt her. And finally Marianne, the quiet, clever daughter of a village pastor, who has a shocking secret she must hide from everyone, even her new friends, if she is to succeed.
But Oxford's dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.
The Traitor of Sherwood Forest
An immersive, sultry, heart-pounding historical reimagining of the Robin Hood ballads, told through the piercing eyes of one of his spies
Jane Crowe is an ordinary peasant girl who never dreamed she would work for the infamous Lord of the Greenwood. But when she’s forced out of her home, she has no choice but to turn to Robin Hood for help—and he makes her an irresistible offer. He needs a pair of eyes in the King’s Houses, and quiet, unassuming Jane—who has spent her whole life going unnoticed—will be the perfect spy.
At first, Jane’s work for Robin seems straightforward. She whispers to him about the nobles at King’s Houses and all their secrets, including the new Sheriff of Nottingham, who would like nothing more than to see Robin Hood’s head on a spike. But the more Jane is drawn into Robin’s world, the more she’s drawn to Robin himself—a man as charismatic as he is cunning, capable of plucking at her heart as easily as he notches an arrow. As Robin’s tricks grow increasingly dangerous, and shockingly violent, Jane starts to suspect that her hero cares more about his own legacy than helping the common people—and that despite his declarations of affection, he sees her as just another object to be stolen.
When Robin’s schemes implicate Jane in a brutal murder, she must decide: is she prize to be won, a pawn to be used and discarded—or is she an equal player in the game between nobles and thieves?
If We Were a Movie
Lights. Camera. Love?
Rochelle “The Shell” Coleman is laser focused on only three things: becoming valedictorian, getting into Wharton, and, of course, taking down her annoyingly charismatic nemesis and only academic competition, Amira Rodriguez. However, despite her stellar grades, Rochelle’s college application is missing that extra special something: a job.
When Rochelle gets an opportunity to work at Horizon Cinemas, the beloved Black-owned movie theater, she begrudgingly jumps at the chance to boost her chances of getting into her dream school. There’s only one problem: Amira works there . . . and is also her boss.
Rochelle feels that being around Amira is its own kind of horror movie, but as the two begin working closely together, Rochelle starts to see Amira in a new light, one that may have her beginning to actually . . . like her?
But Horizon’s in trouble, and when mysterious things begin happening that make Horizon’s chances of staying open slim, it’s up to the employees to solve the mystery before it’s too late. But will love also find its way into the spotlight?
