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Authors Juniper Hayward and Athena Liu were supposed to be twin rising stars. But Athena is a literary darling while June is a nobody. Who wants stories about basic white girls?, June thinks. So when June witnesses Athena’s death in a freak accident, she acts on impulse, stealing Athena’s just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers during World War I.

So what if June edits Athena’s novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song—complete with an ambiguously ethnic author photo? This piece of history deserve to be told, whoever the teller. That is what June believes, and The New York Times bestseller list agrees.

But June cannot escape Athena’s shadow, and emerging evidence threatens her stolen success. As she races to protect her secret she discovers exactly how far she will go to keep what she thinks she deserves.

Sisters Cassie and Zoe Grossberg were born just a year apart but could not have been more different. Zoe, blessed with charm and beauty, yearned for fame from the moment she could sing into a hairbrush. Cassie was a musical prodigy who never felt at home in her own skin and preferred the safety of the shadows.

On the brink of adulthood in the early 2000s, destiny intervened, catapulting the sisters into the spotlight as the pop sensation the Griffin Sisters, hitting all the touchstones of early aughts fame—SNL, MTV, Rolling Stone magazine—along the way.

But after a whirlwind year in the public eye, the band abruptly broke up.

Two decades later, Zoe’s a housewife; Cassie’s off the grid. The sisters aren’t speaking, and the real reason for the Griffin Sisters’ breakup is still a mystery. Zoe’s teenage daughter, Cherry, who’s determined to be a star in spite of Zoe’s warnings, is on a quest to learn the truth about what happened to the band all those years ago.

As secrets emerge, all three women must face the consequences of their choices: the ones they made and the ones the music industry made for them. Can they forgive each other—and themselves? And will the Griffin Sisters ever make music again?

Fate connects two people in life-changing ways in a deeply romantic and emotional novel about hope and second chances by the author of Would You Rather and The Roommate Pact.

Uncertain of what tomorrow brings, Elliott Holland decides to live it up—on the eve of a stem cell transplant to treat her leukemia. It’s destiny when she crosses paths with handsome and charming Jamie Sullivan. The chemistry is magic. So is a beautiful evening that ends with a bittersweet kiss goodbye and no expectations of ever seeing each other again.

One year later, Elliott’s future looks good. Her cancer is in remission. Her career in graphic design is taking off. And she’s finally met Carly, the young woman whose stem cell donation gave Elliott a second chance at life. Then, in a twist of fate both blissful and unfair, she meets Carly’s boyfriend. It’s Jamie, the man Elliott kissed like it was her last day on earth. Neither of them has ever forgotten it.

Now, the most difficult decisions of all lie ahead. Whatever risks there are to the heart, one need wins to grab hold of everything that can make someone feel alive again.

One family. Four generations. A secret son. A devastating addiction. A Texas family is met with losses and surprises of inheritance, but they’re unable to shake the pull back toward each other in this big-hearted family saga perfect for readers of Mary Beth Keane and Claire Lombardo.

Ryan and Lillian Bright are deeply in love, recently married, and now parents to a baby girl, Georgette. But Lillian has a son she hasn’t told Ryan about, and Ryan has an alcohol addiction he hasn’t told Lillian about, so Georgette comes of age watching their marriage rise and fall.

When a shocking blow scatters their fragile trio, Georgette tries to distance herself from reminders of her parents. Years later, Lillian’s son comes searching for his birth family, so Georgette must return to her roots, unearth her family’s history, and decide whether she can open up to love for them—or herself—while there’s still time.

Told from three intimate points of view, The Bright Years is a tender, true-to-life novel that explores the impact of each generation in a family torn apart by tragedy but, over time, restored by the power of grace and love.

An often hilarious, surprisingly moving portrait of a long-married couple, seen through the eyes of their wickedly observant daughter—for fans of A Man Called Ove and The Royal Tenenbaums.

Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1982.

Miranda’s father is a retired professor of philosophy who never loses an argument. Her mother likes to bring conversation back to the War, although she was born after it ended. Married for fifty years, they are uncommonly set in their ways. Miranda plays the role of translator when she visits, communicating the desires or complaints of one parent to the other and then venting her frustration to her sister and her daughter. At the end of each visit, she reports “the usual desire to kill.”

A wry, propulsive, exquisitely observed story of a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them. This is an extraordinary debut novel from a seasoned playwright with a flare for dialogue and, in the end, immense empathy.

Coworkers at a legendary but troubled New York City museum struggle with issues large and small over the course of one extraordinary day in this whip-smart “marvel” (Mona Awad, bestselling author of Bunny) of a novel in the vein of The White Lotus.

When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride.

Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart her enigmatic and tireless personal assistant, Chris; the museum’s trusty head of security, Shay; and its general counsel, Henry—a man whose ability to weasel his way out of a jam is matched only by his capacity to avoid learning anything from the experience.

Orbiting Diane is a motley assortment of museum employees, each on the precipice of collapse or among them a line cook staring down a huge opportunity he’s not sure he wants; a costume curator stuck in an inescapable rut; and the ambivalent curator of the museum’s film program, whose first day on the job might very well be his last.

On this day of the museum’s annual gala, every plate that Diane has kept spinning will fall and by daybreak, someone will be dead.

Wise, surprising, and darkly funny, Friends of the Museum is a kaleidoscopic tragicomedy that surges along to the unstoppable tick of the clock, leaving you on the edge of your seat until the final second.

In this epic Afrofuturist debut, an archivist finds herself the target of a violent plot and must rely on the help of her AI assistive technologies.

In near-future Los Angeles, Xandria Brown works diligently as an archivist at the Huntington Library, Art Museum, and Botanical Gardens. Descended from a family of obsessive collectors who took part in the Great Migration, Xandria has always been passionate about the art of curation and preservation, especially of seemingly useless African American ephemera. But while juggling multiple projects, her neurocognitive symptoms of long COVID are worsening, as her healthbot keeps having to remind her. When the Huntington unexpectedly goes into lockdown, Xandria must rely on her adaptive technology and her own flickering intuition to preserve her life’s work—the Diwata Collection. A strikingly original saga written in lyrical prose, The Ephemera Collector announces Stacy Nathaniel Jackson as a singular new voice in fiction.