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Tess Strebel can’t recognize her own face.

She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband.

Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: She was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

Tess has no choice but to accept her new life and hope her memory will return. After all, why should she doubt the letter she wrote to herself? Or the kind man from the wedding photos on her dresser who seems to genuinely care about her well-being?

And then Tess receives a text message on her phone. One that changes everything:

"Don’t trust the man who calls himself your husband."

The New York Times best-selling author of Final Girls and Survive the Night is back with his most unexpected thriller yet.

Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of liquor, she passes the time watching Tom and Katherine Royce, the glamorous couple who live in the house across the lake. They make for good viewing—a tech innovator, Tom is rich; and a former model, Katherine is gorgeous.

One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other—and the longer Casey watches—it becomes clear that Katherine and Tom’s marriage is not as perfect and placid as it appears. When Katherine suddenly vanishes, Casey becomes consumed with finding out what happened to her. In the process, she uncovers eerie, darker truths that turn a tale of voyeurism and suspicion into a story of guilt, obsession and how looks can be very deceiving.

With his trademark blend of sharp characters, psychological suspense, and gasp-worthy surprises, Riley Sager’s The House Across the Lake unveils more than one twist that will shock readers until the very last page.

From the New York Times-bestselling author of Cutting for Stone comes a stunning and magisterial epic of love, faith, and medicine, set in Kerala, South India, following three generations of a family seeking the answers to a strange secret

Spanning the years 1900 to 1977, The Covenant of Water is set in Kerala, on India’s Malabar Coast, and follows three generations of a family that suffers a peculiar affliction: in every generation, at least one person dies by drowning—and in Kerala, water is everywhere. At the turn of the century, a twelve-year-old girl from Kerala's Christian community, grieving the death of her father, is sent by boat to her wedding, where she will meet her forty-year-old husband for the first time. From this unforgettable new beginning, the young girl—and future matriarch, Big Ammachi—will witness unthinkable changes over the span of her extraordinary life, full of joy and triumph as well as hardship and loss, her faith and love the only constants.

A shimmering evocation of a bygone India and of the passage of time itself, The Covenant of Water is a hymn to progress in medicine and to human understanding, and a humbling testament to the hardships undergone by past generations for the sake of those alive today. Imbued with humor, deep emotion, and the essence of life, it is one of the most masterful literary novels published in recent years.

“Razor-sharp, darkly comedic, and emotionally piercing. With the satirical bite of Richard Russo’s Straight Man, the introspection of Fredrik Backman’s A Man Called Ove, and the reinvention of Andrew Sean Greer's Less, Kenney’s vivid prose transforms the mundane into unexpected hilarity.”
—Booklist (starred review)

An Indie Next & LibraryReads Pick for April

The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live.

Thurber Prize-winner and New York Times bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.

A merchant and a prince trapped in the crumbling realm of jinn must figure out how to save one world to return to their own in The Ashfire King, the second book in the Sandsea Trilogy.

Neither here nor there, but long ago… After fleeing a patricidal prince, legendary merchant Loulie al-Nazari and banished prince Mazen bin Malik find themselves in the realm of jinn. But instead of sanctuary, they find a world on the cusp of collapse.

The jinn cities, long sheltered beneath the Sandsea by the magic of its kings, are sinking. Amid the turmoil, political alliances are forming, and rebellion is on the rise. When Loulie assists a dissenter—one of her bodyguard’s old comrades—she puts herself in the center of a centuries-old war.

Trapped in a world that isn’t her own and wielding magic that belongs to a fallen king, Loulie must decide: Will she carry on someone else’s legacy or carve out her own?

Zoe Hana Mikuta delivers a bloody and unrelenting fantasy about young witches dangling on the edge of love and obsession, of magic and madness, of life and death (and death and death and death). . .

Just like her mother and her mother’s mother, 18-year-old Vanity Adams is destined to lead a lavish life under the patronship of the Museum, someday taking her place as its premiere necromantic Spectacle and the centerpiece of their weekly soirees thrown for the City’s elite.

But until that day, Vanity (and the other young witches of the Museum) is isolated from the outside world and purged of her magic—magic being particularly unstable for teenagers and often leading to antisocial conduct, mood swings, bloodlust, delusions, and, most concerning, a habitual, violent obsession with one another.

To all of this, Vanity thinks: Well, whatever. Better than being confined to the Sanatorium with the less fortunate witches, imprisoned in a chemically induced coma as her blood is harvested to make World, the City’s favorite designer drug. At least she’ll be dead someday, there’s always that. And at least the Museum has Arrogance, Vanity’s twin sister, who just might remember how to do magic, and who just might be where our story begins. . . .

Notes from a Regicide is a heartbreaking story of trans self-discovery with a rich relatability and a science-fictional twist from award-winning author Isaac Fellman.

When your parents die, you find out who they really were.

Griffon Keming’s second parents saved him from his abusive family. They taught him how to be trans, paid for his transition, and tried to love him as best they could. But Griffon’s new parents had troubles of their own – both were deeply scarred by the lives they lived before Griffon, the struggles they faced to become themselves, and the failed revolution that drove them from their homeland. When they died, they left an unfillable hole in his heart.

Griffon’s best clue to his parents’ lives is in his father’s journal, written from a jail cell while he awaited execution. Stained with blood, grief, and tears, these pages struggle to contain the love story of two artists on fire. With the journal in hand, Griffon hopes to pin down his relationship to these wonderful and strange people for whom time always seemed to be running out.

In Notes from a Regicide, a trans family saga set in a far-off, familiar future, Isaac Fellman goes beyond the concept of found family to examine how deeply we can be healed and hurt by those we choose to love.