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A haunting and powerful story of female friendships and secrets in a Washington, D.C. boardinghouse during the McCarthy era.

Washington, D.C., 1950. Everyone keeps to themselves at Briarwood House, a down-at-the-heels all-female boardinghouse in the heart of the nation’s capital, where secrets hide behind white picket fences. But when the lovely, mysterious widow Grace March moves into the attic, she draws her oddball collection of neighbors into unlikely friendship: poised English beauty Fliss whose facade of perfect wife and mother covers gaping inner wounds; police officer’s daughter Nora, who is entangled with a shadowy gangster; frustrated baseball star Bea, whose career has ended along with the women’s baseball league of WWII; and poisonous, gung-ho Arlene, who has thrown herself into McCarthy’s Red Scare.

Grace’s weekly attic-room dinner parties and window-brewed sun tea become a healing balm on all their lives, but she hides a terrible secret of her own. When a shocking act of violence tears apart the house, the Briar Club women must decide once and for all: Who is the true enemy in their midst?

Sisters Cassie and Zoe Grossberg were born just a year apart but could not have been more different. Zoe, blessed with charm and beauty, yearned for fame from the moment she could sing into a hairbrush. Cassie was a musical prodigy who never felt at home in her own skin and preferred the safety of the shadows.

On the brink of adulthood in the early 2000s, destiny intervened, catapulting the sisters into the spotlight as the pop sensation the Griffin Sisters, hitting all the touchstones of early aughts fame—SNL, MTV, Rolling Stone magazine—along the way.

But after a whirlwind year in the public eye, the band abruptly broke up.

Two decades later, Zoe’s a housewife; Cassie’s off the grid. The sisters aren’t speaking, and the real reason for the Griffin Sisters’ breakup is still a mystery. Zoe’s teenage daughter, Cherry, who’s determined to be a star in spite of Zoe’s warnings, is on a quest to learn the truth about what happened to the band all those years ago.

As secrets emerge, all three women must face the consequences of their choices: the ones they made and the ones the music industry made for them. Can they forgive each other—and themselves? And will the Griffin Sisters ever make music again?

Don’t lose your head over office politics…The horrors of the modern workplace meet actual horror in a fiendishly entertaining short story from New York Times bestselling author Stephen Graham Jones.

When the lights go out and the slideshow begins, middle manager Jennifer has a disturbing a headless colleague right across the boardroom table. Is it a trick of the light, or a vision of the future? She tries to brush it off and salvage the afternoon—but when her ex unexpectedly drops off her son at the office after school, suddenly her whole world takes an alarming turn.

Stephen Graham Jones’s The Indigo Room is part of The Shivers, a collection of haunting stories that reveal the otherworldly terrors all around us. Once you know, there’s no going back. Read or listen to each story in one unsettling sitting.

A unique locked-room debut with a memorable intergenerational relationship and gaming angle, about a grandmother and granddaughter who are snowed in at a lavish party at a mansion where the host has been murdered, and the unlikely sleuthing pair must draw on a unique skillset to navigate a dangerous game together

Widow Mimi lives on idyllic Mackinac Island where cars are not allowed and a Gibson with three onions at the witching hour is compulsory. Her granddaughter, Addie, is getting over the heartbreak of her fiancé, Brian, dumping her and cutting her out of the deal for the brilliantly successful video game, Murderscape, they invented together (with Addie doing most of the heavy lifting).

When Mimi gets an invitation from local socialite Jane Ireland--a seventysomething narcissist who is having an affair with her son-in-law--to a charity auction, it is the perfect excuse to get Addie to join her for the weekend. What Mimi isn’t telling Addie is that a blackmail threat from Jane looms over the party’s invitation.

In case the scene wasn’t already set for a turbulent weekend, a big storm rolls in, trapping everyone in the mansion. And then, Jane’s body is found. Soon Mimi and Addie are caught in a dangerous game, relying on their skills (Mimi loves a crossword puzzle, and Addie is a brilliant game designer, after all) to narrow down the suspects. When another body turns up, the sleuthing pair realize someone else is playing a deadly game, and they might not survive the night. . . .

A dazzling, electrifying, and thought-provoking novel for readers of Maame and Honey Girl, Things Left Unsaid is a mesmerizing and deeply-felt exploration of discovering your place in the world and the lasting power of love.

When twenty-six year old Shirin Bayat bumps into Kian at a house party in London, she is taken aback by the immediate feelings that resurface. It’s been a decade since they were close friends at school, before painful events pulled them apart, suddenly and seemingly forever. Ever since, Shirin has lived with the aching weight of things left unsaid between them.

Now they're back in each other's lives, at a time when Shirin needs someone she can trust the most. Feeling stuck in a sea of slippery friendships and deeply burned out by her publishing job, Kian is a bright light amongst a sea of gray. There’s nothing worse than losing the person you trust most with your deepest secrets and desires, and Shirin and Kian are determined to hold tightly to each other.

But of course, life often has other plans. Will it be different this time around, or are Shirin and Kian destined to fall apart once more?

A young Black gay man reckoning with the death of his father must confront his painful past—and his deepest desires around gender, love, and sex.

The venerated Reverend Doctor John Freeman did not raise his son, Davis, to be touched by any man, let alone a white man. He did not raise his son to whisper that man’s name with tenderness.

But on the eve of his wedding, all Davis can think about is how beautiful he wants to look when he meets his beloved Everett at the altar. Never mind that his mother, who died decades before, and his father, whose anger drove Davis to flee their home in Ohio for a freer life in New York City, won’t be there to walk him down the aisle. All Davis needs to be happy in this life is Everett, his new family, and his burgeoning career as an award-winning violist.

When Davis learns during the wedding reception that his father has died in a terrible car accident, years of childhood trauma and unspoken emotion resurface. Davis must revisit everything that went wrong between them, his fledgling marriage and irresistible self-confidence spiraling into a pit of despair.

In resplendent prose, Denne Michele Norris’s When the Harvest Comes fearlessly reveals the pain of inheritance and the heroic power of love, reminding us that in the end we are more than the men who came before us.

From the author of Bad Reputation comes a smart and sexy second-chance romance, where exes reunite to adapt a memoir, only to discover that after a decade apart, they might finally be ready for more.

Working with your ex isn’t that bad an idea—not with artistic integrity on the line. Jaime Croft is determined to prove his directorial range, and Scarlett Arbuthnot’s biography is the perfect project. He once thought Scarlett was his perfect match too, but it’s been seventeen years. Surely he’s over it by now.

Or maybe not.

Scarlett is a grand master taking the chess world by storm. If she can handle that pressure, she can handle Jaime Croft. Even if that means working together in close quarters…and constant reminders of how she broke his heart. She didn’t do it without reason, but if he knew the details, he would despise her even more.

As Jaime and Scarlett pore over her memoir, they unlock their own memories, and old feelings rise to the surface. But giving in means abandoning the walls they’ve built to protect themselves, and that’s a move neither one seems ready to make.