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Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.

But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America’s most beloved cooking show Supper at Six. Elizabeth’s unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn’t just teaching women to cook. She’s daring them to change the status quo.

Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.

New Achievement! Total, Utter Failure.

You failed a quest less than five minutes after you received it. Now that’s talent.

A floating fortress occupied by warrior gnomes. A castle made of sand. A derelict submarine guarded by malfunctioning machines. A haunted crypt surrounded by lethal traps.

It was supposed to be easy. One bubble. Four castles. Fifteen days. Capture each one, and the stairwell is unlocked.

Here's the thing. It's never easy. Carl and his team can't go it alone. Not this time. They must rely on the help of the low-level, I-can't-believe-these-idiots-are-still-alive crawlers trapped in the bubble with them. But can they be trusted?

Welcome, Crawler. Welcome to the fifth floor of the dungeon.

At the elite Catenan Academy, a young fugitive uncovers layered mysteries and world-changing secrets in this new fantasy series by internationally bestselling author of The Licanius Trilogy, James Islington.

AUDI. VIDE. TACE.

The Catenan Republic – the Hierarchy – may rule the world now, but they do not know everything.

I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilised society in allowing my strength, my drive and my focus – what they call Will – to be leeched away and added to the power of those above me, as millions already do. As all must eventually do.

I tell them that I belong, and they believe me.

But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart.

And that I will never, ever cede my Will to the empire that executed my family.

To survive, though, I will still have to rise through the Academy’s ranks. I will have to smile, and make friends, and pretend to be one of them and win. Because if I cannot, then those who want to control me, who know my real name, will no longer have any use for me.

And if the Hierarchy finds out who I truly am, they will kill me.

Four dissatisfied sixties-era housewives form a book club turned sisterhood that will hold fast amid the turmoil of a rapidly changing world and alter the course of each of their lives.

By early 1960s standards, Margaret Ryan, Viv Buschetti, and Bitsy Cobb, suburban housewives in a brand-new "planned community" in Northern Virginia, appear to have it all. The fact that "all" doesn't feel like enough leaves them feeling confused and guilty, certain the fault must lie with them. Things begin to change when they form a book club with Charlotte Gustafson--the eccentric and artsy "new neighbor" from Manhattan--and read Betty Friedan's just-released book, The Feminine Mystique.

Controversial and groundbreaking, the book struck a chord with an entire generation of women, helping them realize that they weren't alone in their dissatisfactions, or their longings, lifting their eyes to new horizons of possibility and achievement. Margaret, Charlotte, Bitsy, and Viv are among them. But is it really the book that alters the lives of these four very different women? Or is it the bond of sisterhood that helps them find courage to confront the past, navigate turmoil in a rapidly changing world, and see themselves in a new and limitless light?

Armed with a terminal diagnosis, a grudge, and a rental car, Hester sets out to fulfill her lifelong dream of killing her father in this brilliantly subversive and bleakly funny novel.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States. From five-star Midwestern hotels to cultish Southwestern compounds, the two slowly make their way across the country. But will the revelations they make along the way dissuade Hester from her goal?

Ragingly singular and surprisingly moving, Bad Nature is a story of stunning detours and twists until its final destination. Part road-trip novel, part revenge tale, part lament of our ongoing ecological crisis, it’s ultimately a deft examination of the indulgence of holding grudges, moral ambivalence, and the eternal possibility of redemption.

A stunning reimagining of Bluebeard—one of the most mythologized serial killers—twisted into a modern tale of toxic masculinity, a feminist sermon, and a folktale for the twenty-first century.

The tale begins with Agnes. After losing her baby, Agnes is called to the great manor house to nurse the local lord’s baby boy. But something is wrong with the child: his nails grow too fast, his skin smells of soil, and his eyes remind her of the dark forest. As he grows into a boy, then into man, a plague seems to follow him everywhere. Trees wither at the roots, fruits rot on their branches, and the town turns against him. The man takes a wife, who bears him a son. But tragedy strikes in cycles and his family is forced to consider their own malignancy—until wife after wife, death after death, plague after plague, every woman he touches becomes a ghost. The ghosts become a chorus, and they call urgently to our narrator as she tries to explain, in our very real world, exactly what has happened to her. The ghosts can all agree on one thing, an inescapable truth about this man, this powerful lord who has loved them and led them each to ruin: If you leave, you die. But if you die, you stay.

Natalia Theodoridou’s haunting and unforgettable debut novel, Sour Cherry, confronts age-old systems of gender and power, long-held excuses made for bad men, and the complicated reasons we stay captive to the monsters we love.

Lanie Stones is the necromancer that Death has been praying for.

Heartbroken, exiled from her homeland as a traitor, Lanie Stones would rather take refuge in good books and delicate pastries than hunt a deathless abomination, but that is the duty she has chosen.

The abomination in question happens to be her own great-grandfather, the powerful necromancer Irradiant Stones. Grandpa Rad has escaped from his prison and stolen a body, and is heading to the icy country of Skakhmat where he died, to finish the genocide he started. Fortunately for her, Lanie has her powerful death magic, including the power to sing the restless dead to their eternal slumber; and she has her new family by her side.

Grandpa Rad may have finally met his match.