The Love Hypothesis
As a third-year Ph.D. candidate, Olive Smith doesn't believe in lasting romantic relationships--but her best friend does, and that's what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees.
That man is none other than Adam Carlsen, a young hotshot professor--and well-known ass. Which is why Olive is positively floored when Stanford's reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive's career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding... six-pack abs.
Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.

The House Across the Lake
The New York Times best-selling author of Final Girls and Survive the Night is back with his most unexpected thriller yet.
Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of liquor, she passes the time watching Tom and Katherine Royce, the glamorous couple who live in the house across the lake. They make for good viewing—a tech innovator, Tom is rich; and a former model, Katherine is gorgeous.
One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other—and the longer Casey watches—it becomes clear that Katherine and Tom’s marriage is not as perfect and placid as it appears. When Katherine suddenly vanishes, Casey becomes consumed with finding out what happened to her. In the process, she uncovers eerie, darker truths that turn a tale of voyeurism and suspicion into a story of guilt, obsession and how looks can be very deceiving.
With his trademark blend of sharp characters, psychological suspense, and gasp-worthy surprises, Riley Sager’s The House Across the Lake unveils more than one twist that will shock readers until the very last page.

Gray After Dark
A merciless wilderness. A harrowing attack. A desperate escape.
When a tragic accident sidelines Miley's dreams of Olympic gold, she takes a summer job at a mountain guest lodge.
The Frank Church Wilderness is remote, but it’s the perfect place to train and recover. Local lore about a staffer who died years ago doesn’t scare her. But it should.
Miley’s plans take a terrifying detour when she’s abducted during a morning run. Held captive in a desolate off-grid cabin, she’ll have to use her athletic prowess, cunning mind, and courage to survive. But as the nightmare at the cabin escalates, Miley is forced to form an unlikely alliance and attempt a risky escape.
Can she outwit her captors and survive the wilderness before it’s too late?
Inspired by true events, Gray After Dark is a pulse-pounding psychological thriller with a finale that will leave you breathless.

When the Wolf Comes Home
One night, Jess, a struggling actress, finds a five-year-old runaway hiding in the bushes outside her apartment. After a violent, bloody encounter with the boy's father, she and the boy find themselves running for their lives.
As they attempt to evade the boy's increasingly desperate father, horrifying incidents of butchery follow them. At first, Jess thinks she understands what they're up against, but she's about to learn there's more to these surreal and grisly events than she could've ever imagined.
And that when the wolf finally comes home, none will be spared.

Eat the Ones You Love
A twisted, tangled story about workplace love-affairs, and plants with a taste for human flesh
During a grocery run to her local shopping center, Shell Pine sees a ‘HELP NEEDED’ sign in a flower shop window. She’s just left her fiancé, lost her job, and moved home to her parents’ house. She has to make a change and bring some good into her life, so she goes inside and takes a chance. Shell realizes right away that flowers are just the good thing she's been looking for, as is Neve, the beautiful florist who wrote the sign asking for help. The thing is, Neve needs help more than Shell could possibly imagine.
An orchid growing out of sight in the heart of the mall is watching them closely. His name is Baby, and the beautiful florist belongs to him. He’s young, he’s hungry, and he’ll do just about anything to make sure he can keep growing big and strong. Nothing he eats – nobody he eats – can satisfy him, except the thing he most desires. Neve. He adores her and wants to consume her, and will stop at nothing to eat the one he loves.
This is a story about possession, and monstrosity, and working retail. It is about hunger and desire, and other terrible things that grow.

If We Were a Movie
Lights. Camera. Love?
Rochelle “The Shell” Coleman is laser focused on only three things: becoming valedictorian, getting into Wharton, and, of course, taking down her annoyingly charismatic nemesis and only academic competition, Amira Rodriguez. However, despite her stellar grades, Rochelle’s college application is missing that extra special something: a job.
When Rochelle gets an opportunity to work at Horizon Cinemas, the beloved Black-owned movie theater, she begrudgingly jumps at the chance to boost her chances of getting into her dream school. There’s only one problem: Amira works there . . . and is also her boss.
Rochelle feels that being around Amira is its own kind of horror movie, but as the two begin working closely together, Rochelle starts to see Amira in a new light, one that may have her beginning to actually . . . like her?
But Horizon’s in trouble, and when mysterious things begin happening that make Horizon’s chances of staying open slim, it’s up to the employees to solve the mystery before it’s too late. But will love also find its way into the spotlight?
