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The New York Times best-selling author of Final Girls and Survive the Night is back with his most unexpected thriller yet.

Casey Fletcher, a recently widowed actress trying to escape a streak of bad press, has retreated to the peace and quiet of her family’s lake house in Vermont. Armed with a pair of binoculars and several bottles of liquor, she passes the time watching Tom and Katherine Royce, the glamorous couple who live in the house across the lake. They make for good viewing—a tech innovator, Tom is rich; and a former model, Katherine is gorgeous.

One day on the lake, Casey saves Katherine from drowning, and the two strike up a budding friendship. But the more they get to know each other—and the longer Casey watches—it becomes clear that Katherine and Tom’s marriage is not as perfect and placid as it appears. When Katherine suddenly vanishes, Casey becomes consumed with finding out what happened to her. In the process, she uncovers eerie, darker truths that turn a tale of voyeurism and suspicion into a story of guilt, obsession and how looks can be very deceiving.

With his trademark blend of sharp characters, psychological suspense, and gasp-worthy surprises, Riley Sager’s The House Across the Lake unveils more than one twist that will shock readers until the very last page.

From New York Times bestseller and Edgar-Award nominee Elle Cosimano, comes Finlay Donovan Digs Her Own Grave—the hugely anticipated next installment in the fan-favorite Finlay Donovan series.

Finlay Donovan may have skeletons in her closet . . . but at least there's not a body in her backyard.

Finlay Donovan and her nanny/partner-in-crime, Vero, have not always gotten along with Finlay’s elderly neighbor, Mrs. Haggerty, the community busybody and president of the neighborhood watch. But when a dead body is discovered in her backyard, Mrs. Haggerty needs their help. At first a suspect, Mrs. Haggerty is cleared by the police, but her house remains an active crime scene. She has nowhere to go . . . except Finlay’s house, right across the street.

Finlay and Vero have no interest in getting involved in another murder case—or sacrificing either of their bedrooms. After all, they’ve dealt with enough murders over the last four months to last a lifetime and they both would much rather share their beds with someone else.

4 hours, 47 minutes

A perfectionist maid of honor and a carefree, surfer-bro best man team up to plan a wedding and end up finding a spark of their own in the first audio original from author duo Christina Lauren, a full-cast sequel to their New York Times bestseller The Unhoneymooners.

Ami is determined to break the Torres family wedding curse. Her own disaster of a reception ended with all the guests getting food poisoning, and she left her cheating husband soon after. But even though she’s still processing her own divorce, Ami won’t let her twin sister Olive’s day be anything but perfect. Olive may think she wants a private ceremony in Maui, where she and her fiancé Ethan first fell in love, but Ami knows better and secretly flies the whole Torres family out to surprise the couple. Now she and her meticulously organized binder have less than two weeks to get everything together for the big day, thousands of miles from home.

Enter Brody, Ethan’s best man, who happens to be living in Maui and insists on helping with the preparations. His playfully elaborate schemes and happy-go-lucky attitude are the last thing Ami needs. When sparks start to fly, could it derail all her carefully laid plans?

Equal parts hilarious and swoon-worthy, this full-cast production is your ticket to the ultimate destination wedding, bringing to life both a captivating couple and an unforgettable family. The Honeymoon Crashers is Christina Lauren at their charming, hilarious best.

Subversive and unexpectedly heartwarming, Sky Daddy hijacks the classic love story, exploring desire, fate, and the longing to be accepted for who we truly are.

Linda is doing her best to lead a life that would appear normal to the casual observer. Weekdays, she earns $20 an hour moderating comments for a video-sharing platform, then rides the bus home to the windowless garage she rents on the outskirts of San Francisco. But on the last Friday of each month, she indulges in her true passion: taking BART to SFO for a round-trip flight to a regional hub. The destination is irrelevant because each trip means a new date with a handsome stranger—a stranger whose intelligent windscreens, sleek fuselages, and powerful engines make Linda feel a way that no human ever could.

Linda knows that she can’t tell anyone she’s sexually obsessed with planes—nor can she reveal her belief her destiny is to “marry” one of her suitors by dying in a plane crash, thereby uniting her with her soulmate plane for eternity. But when an opportunity arises to hasten her dream of eternal partnership, and the carefully balanced elements of her life begin to spin out of control, she must choose between maintaining the trappings of normalcy and launching herself headlong toward the love she’s always dreamed of.

A stunning reimagining of Bluebeard—one of the most mythologized serial killers—twisted into a modern tale of toxic masculinity, a feminist sermon, and a folktale for the twenty-first century.

The tale begins with Agnes. After losing her baby, Agnes is called to the great manor house to nurse the local lord’s baby boy. But something is wrong with the child: his nails grow too fast, his skin smells of soil, and his eyes remind her of the dark forest. As he grows into a boy, then into man, a plague seems to follow him everywhere. Trees wither at the roots, fruits rot on their branches, and the town turns against him. The man takes a wife, who bears him a son. But tragedy strikes in cycles and his family is forced to consider their own malignancy—until wife after wife, death after death, plague after plague, every woman he touches becomes a ghost. The ghosts become a chorus, and they call urgently to our narrator as she tries to explain, in our very real world, exactly what has happened to her. The ghosts can all agree on one thing, an inescapable truth about this man, this powerful lord who has loved them and led them each to ruin: If you leave, you die. But if you die, you stay.

Natalia Theodoridou’s haunting and unforgettable debut novel, Sour Cherry, confronts age-old systems of gender and power, long-held excuses made for bad men, and the complicated reasons we stay captive to the monsters we love.