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With all hope of an appeal fading away, the fate of a condemned murderess takes a shocking turn in a breathtaking short story.

Talia Kemper is on death row for murdering her husband. She had an alibi and no known motive, yet Talia’s unwavering protestations of innocence have always been ignored. Then one day in the visiting area, she sees a recognizable stranger she’s certain is her husband. It turns out the man she’s been convicted of killing may not be dead after all. But as the days tick away toward Talia’s execution, what will it take for her to be believed?

Freida McFadden’s Death Row is part of Alibis, a collection of stories about lies, truth, and deception. It’s just a matter of what you can get away with. They can be read or listened to in one sitting.

After tragedy strikes, Hollis Shaw gathers four friends from different stages in her life to spend an unforgettable weekend on Nantucket.

Hollis Shaw’s life seems picture-perfect. She’s the creator of the popular food blog Hungry with Hollis and is married to Matthew, a dreamy heart surgeon. But after she and Matthew get into a heated argument one snowy morning, he leaves for the airport and is killed in a car accident. The cracks in Hollis’s perfect life—her strained marriage and her complicated relationship with her daughter, Caroline—grow deeper.

So when Hollis hears about something called a “Five-Star Weekend”—one woman organizes a trip for her best friend from each phase of her life: her teenage years, her twenties, her thirties, and midlife—she decides to host her own Five-Star Weekend on Nantucket. But the weekend doesn’t turn out to be a joyful Hallmark movie.

The husband of Hollis’s childhood friend Tatum arranges for Hollis’s first love, Jack Finigan, to spend time with them, stirring up old feelings. Meanwhile, Tatum is forced to play nice with abrasive and elitist Dru-Ann, Hollis’s best friend from UNC Chapel Hill. Dru-Ann’s career as a prominent Chicago sports agent is on the line after her comments about a client’s mental health issues are misconstrued online. Brooke, Hollis’s friend from their thirties, has just discovered that her husband is having an inappropriate relationship with a woman at work. Again! And then there’s Gigi, a stranger to everyone (including Hollis) who reached out to Hollis through her blog. Gigi embodies an unusual grace and, as it hap- pens, has many secrets.

The Five-Star Weekend is a surprising and captivating story about friendship, love, and self-discovery set on Nantucket. It will be a weekend like no other.

How far would you go to belong?

Maya has returned to Princeton for her college reunion—it’s been a decade since she graduated, and she is looking forward to seeing old faces and reminiscing about her time there. This visit is special because Maya will also be attending the graduation of her little sister, Naomi.

But what should have been a dream weekend becomes Maya’s worst nightmare when she receives the news that Naomi is dead. The police are calling it an accident, but Maya suspects that there is more to the story than they are letting on.

As Maya pieces together what happened in the months leading up to her sister’s death, she begins to realize how much Naomi hid from her. Despite Maya’s warnings, Naomi had joined Sterling Club, the most exclusive social club on campus—the same one Maya belonged to. And if she had to guess, Naomi was likely tapped for the secret society within it.

The more Maya uncovers, the more terrified she becomes that Naomi’s decision to follow in her footsteps might have been what got her killed. Because Maya’s time at Princeton wasn’t as wonderful as she’d always made it seem—after all, her sister wasn’t the first young woman to turn up dead. Now every clue is leading Maya back to the past . . . and to the secret she’s kept all these years.

Four dissatisfied sixties-era housewives form a book club turned sisterhood that will hold fast amid the turmoil of a rapidly changing world and alter the course of each of their lives.

By early 1960s standards, Margaret Ryan, Viv Buschetti, and Bitsy Cobb, suburban housewives in a brand-new "planned community" in Northern Virginia, appear to have it all. The fact that "all" doesn't feel like enough leaves them feeling confused and guilty, certain the fault must lie with them. Things begin to change when they form a book club with Charlotte Gustafson--the eccentric and artsy "new neighbor" from Manhattan--and read Betty Friedan's just-released book, The Feminine Mystique.

Controversial and groundbreaking, the book struck a chord with an entire generation of women, helping them realize that they weren't alone in their dissatisfactions, or their longings, lifting their eyes to new horizons of possibility and achievement. Margaret, Charlotte, Bitsy, and Viv are among them. But is it really the book that alters the lives of these four very different women? Or is it the bond of sisterhood that helps them find courage to confront the past, navigate turmoil in a rapidly changing world, and see themselves in a new and limitless light?

A GOODREADS HOTTEST DEBUT

“So stunningly fresh and darkly funny that every page surprised me. Morgan Dick doesn’t just craft a clever plot—she writes brilliantly about grief and addiction and inheritance and, yes, redemption.”
—Catherine Newman, author of the New York Times bestseller Sandwich

A darkly funny debut novel about two estranged sisters who are unknowingly thrown together by their problematic father’s dying wish

Mickey and Arlo are half sisters. But they’ve never spoken and never met. Arlo adored her father—but always lived in the shadow of his magnetic personality and burdensome vices. Meanwhile, their father abandoned ?Mickey and her mother years ago, and Mickey has hated him since. When she receives news of her father’s passing, Mickey is shocked to learn that he’s left her his not-inconsiderable fortune. The catch: Mickey must attend a series of therapy sessions before the money can be released.

Unbeknownst to either woman, the psychologist Mickey’s father has ensured she meets with is her half sister, Arlo. Having cared for her beloved father on his sickbed, Arlo is devastated to discover he’s cut her out of his will. She resolves to learn where the money went and why.

Working together as therapist and patient—with no idea that they’re in fact sisters—Arlo and Mickey soon get under each other’s skin. Arlo, eager to outrun a mistake in her professional past, is keen to redeem herself with her new client. But Mickey is far from the model patient. As Mickey’s personal and professional lives spiral out of control and Arlo uncovers the truth about who her new patient really is, the sisters find themselves on a crash course that will break—or save—them both.

Coworkers at a legendary but troubled New York City museum struggle with issues large and small over the course of one extraordinary day in this whip-smart “marvel” (Mona Awad, bestselling author of Bunny) of a novel in the vein of The White Lotus.

When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride.

Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart her enigmatic and tireless personal assistant, Chris; the museum’s trusty head of security, Shay; and its general counsel, Henry—a man whose ability to weasel his way out of a jam is matched only by his capacity to avoid learning anything from the experience.

Orbiting Diane is a motley assortment of museum employees, each on the precipice of collapse or among them a line cook staring down a huge opportunity he’s not sure he wants; a costume curator stuck in an inescapable rut; and the ambivalent curator of the museum’s film program, whose first day on the job might very well be his last.

On this day of the museum’s annual gala, every plate that Diane has kept spinning will fall and by daybreak, someone will be dead.

Wise, surprising, and darkly funny, Friends of the Museum is a kaleidoscopic tragicomedy that surges along to the unstoppable tick of the clock, leaving you on the edge of your seat until the final second.

A transformational, transformative story about videogames, three queer friends, and the code(s) they learn to survive, from the winner of the Lambda Literary Award for Trans Fiction

It is 1998; Lilith, Sash, and Abraxa are teenagers, and they are making Saga of the Sorceress, a game that will change everything, if only for the three of them.

18 years later, Saga of the Sorceress still exists only on the scattered drives of its creators. Lilith might be the first trans woman to ever work as an Assistant Loan Underwriter at Dollarwise Investments in Brooklyn. Sash is in Brooklyn as well, working as a research assistant and part-time webcam dominatrix. Neither knows that the other is there, or that Abraxa, the third member of Invocation LLC, is just across the Hudson River, sleeping on the floor of a friend’s grandparents’ Jersey City home. They have never met in person, and have been out of touch for years, but none have forgotten the sorceress, or her quest, still far from finished.

This new book by Lambda Literary Fellow Jeanne Thornton, one of trans America’s brightest literary stars, queers our notion of nostalgia as it expertly blends literature with technology.