Lessons in Chemistry
Chemist Elizabeth Zott is not your average woman. In fact, Elizabeth Zott would be the first to point out that there is no such thing as an average woman. But it’s the early 1960s and her all-male team at Hastings Research Institute takes a very unscientific view of equality. Except for one: Calvin Evans; the lonely, brilliant, Nobel–prize nominated grudge-holder who falls in love with—of all things—her mind. True chemistry results.
But like science, life is unpredictable. Which is why a few years later Elizabeth Zott finds herself not only a single mother, but the reluctant star of America’s most beloved cooking show Supper at Six. Elizabeth’s unusual approach to cooking (“combine one tablespoon acetic acid with a pinch of sodium chloride”) proves revolutionary. But as her following grows, not everyone is happy. Because as it turns out, Elizabeth Zott isn’t just teaching women to cook. She’s daring them to change the status quo.
Laugh-out-loud funny, shrewdly observant, and studded with a dazzling cast of supporting characters, Lessons in Chemistry is as original and vibrant as its protagonist.
Carl's Doomsday Scenario (Dungeon Crawler Carl #2)
"The training levels have concluded. Now the games may truly begin."
The ratings and views are off the chart. The fans just can't get enough. The dungeon gets more dangerous each day. But in a grinder designed to chew up and spit out crawlers by the millions, Carl and Princess Donut need to work harder than ever just to survive.
They call it the Over City. A sprawling, once-thriving metropolis devastated by a mysterious calamity. But these streets are far from abandoned. An undead circus trawls the ruins. Murdered prostitutes rain from the sky. An ancient spell is finally ready to reveal its dark purpose.
Carl still has no pants.
They call it Dungeon Crawler World. For Carl and Donut, it's anything but a game.
The Will of the Many (Hierarchy #1)
At the elite Catenan Academy, a young fugitive uncovers layered mysteries and world-changing secrets in this new fantasy series by internationally bestselling author of The Licanius Trilogy, James Islington.
AUDI. VIDE. TACE.
The Catenan Republic – the Hierarchy – may rule the world now, but they do not know everything.
I tell them my name is Vis Telimus. I tell them I was orphaned after a tragic accident three years ago, and that good fortune alone has led to my acceptance into their most prestigious school. I tell them that once I graduate, I will gladly join the rest of civilised society in allowing my strength, my drive and my focus – what they call Will – to be leeched away and added to the power of those above me, as millions already do. As all must eventually do.
I tell them that I belong, and they believe me.
But the truth is that I have been sent to the Academy to find answers. To solve a murder. To search for an ancient weapon. To uncover secrets that may tear the Republic apart.
And that I will never, ever cede my Will to the empire that executed my family.
To survive, though, I will still have to rise through the Academy’s ranks. I will have to smile, and make friends, and pretend to be one of them and win. Because if I cannot, then those who want to control me, who know my real name, will no longer have any use for me.
And if the Hierarchy finds out who I truly am, they will kill me.
The Library of Lost Dollhouses
When a young librarian discovers historic dollhouses in a hidden room, she embarks on an unexpected journey that reveals surprising secrets about the lost miniatures.
Tildy Barrows, Head Curator of a beautiful archival library in San Francisco, is meticulously dedicated to the century’s worth of inventory housed in her beloved Beaux Art building. She loves the calm and order in the shelves of books and walls of art. But Tildy’s uneventful life takes an unexpected turn when she, first, learns the library is on the verge of bankruptcy and, second, discovers two exquisite never-before-seen dollhouses. After finding clues hidden within these remarkable miniatures, Tildy starts to believe that Belva Curtis LeFarge, the influential heiress who established the library a century ago, is conveying a significant final message.
With a newfound sense of spontaneity, Tildy sets out to decipher the secret history of the dollhouses, aiming to salvage her cherished library in the process. Her journey to understand introduces her to a world of ambitious and gifted women in Belle Époque Paris, a group of scarred World War I veterans in the English countryside, and Walt Disney’s bustling Burbank studio in the 1950s. As Tildy unravels the mystery, she finds not only inspiring, overlooked history, but also a future for herself, filled with exciting possibilities—and an astonishing familial revelation.
Spanning the course of a century, The Library of Lost Dollhouses is a warm, bright, and captivating story of secrets and love that embraces the importance of illuminating overlooked women of the past.
The Usual Desire to Kill
An often hilarious, surprisingly moving portrait of a long-married couple, seen through the eyes of their wickedly observant daughter—for fans of A Man Called Ove and The Royal Tenenbaums.
Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1982.
Miranda’s father is a retired professor of philosophy who never loses an argument. Her mother likes to bring conversation back to the War, although she was born after it ended. Married for fifty years, they are uncommonly set in their ways. Miranda plays the role of translator when she visits, communicating the desires or complaints of one parent to the other and then venting her frustration to her sister and her daughter. At the end of each visit, she reports “the usual desire to kill.”
A wry, propulsive, exquisitely observed story of a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them. This is an extraordinary debut novel from a seasoned playwright with a flare for dialogue and, in the end, immense empathy.
If We Were a Movie
Lights. Camera. Love?
Rochelle “The Shell” Coleman is laser focused on only three things: becoming valedictorian, getting into Wharton, and, of course, taking down her annoyingly charismatic nemesis and only academic competition, Amira Rodriguez. However, despite her stellar grades, Rochelle’s college application is missing that extra special something: a job.
When Rochelle gets an opportunity to work at Horizon Cinemas, the beloved Black-owned movie theater, she begrudgingly jumps at the chance to boost her chances of getting into her dream school. There’s only one problem: Amira works there . . . and is also her boss.
Rochelle feels that being around Amira is its own kind of horror movie, but as the two begin working closely together, Rochelle starts to see Amira in a new light, one that may have her beginning to actually . . . like her?
But Horizon’s in trouble, and when mysterious things begin happening that make Horizon’s chances of staying open slim, it’s up to the employees to solve the mystery before it’s too late. But will love also find its way into the spotlight?
