Dungeon Crawler Carl (Dungeon Crawler Carl #1)
Alternate cover edition of ASIN B08BKGYQXW
The apocalypse will be televised!
A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible.
In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground.
The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe.
Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style.
You can't just survive here. You gotta survive big.
You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy.
They call it Dungeon Crawler World. But for Carl, it's anything but a game.

Want to Know a Secret?
Everyone has secrets.
YouTube baking sensation April Masterson knows the secret to the perfect gooey brownies. Or how to make key lime squares that will melt in your mouth. But if you keep watching her offline, you may find out some other secrets about April. Secrets she’d rather you didn’t know.
Like where did her son go when he snuck out of the house? What was she doing with the local soccer coach behind fogged windows? And what’s buried in her backyard?
Everyone has secrets. Some are worse than others. April’s secrets are enough to destroy her.
I’ll make sure of that.

Blood Over Bright Haven
Magic has made the city of Tiran an industrial utopia, but magic has a cost—and the collectors have come calling.
An orphan since the age of four, Sciona has always had more to prove than her fellow students. For twenty years, she has devoted every waking moment to the study of magic, fueled by a mad desire to achieve the impossible: to be the first woman ever admitted to the High Magistry. When she finally claws her way up the ranks to become a highmage, however, she finds that her challenges have just begun. Her new colleagues will stop at nothing to let her know she is unwelcome, beginning with giving her a janitor instead of a qualified lab assistant.
What neither Sciona nor her peers realize is that her taciturn assistant was once more than a janitor; before he mopped floors for the mages, Thomil was a nomadic hunter from beyond Tiran’s magical barrier. Ten years have passed since he survived the perilous crossing that killed his family. But working for a highmage, he sees the opportunity to finally understand the forces that decimated his tribe, drove him from his homeland, and keep the Tiranish in power.
Through their fractious relationship, mage and outsider uncover an ancient secret that could change the course of magic forever—if it doesn’t get them killed first. Sciona has defined her life by the pursuit of truth, but how much is one truth worth with the fate of civilization in the balance?
A standalone dark academia brimming with mystery, tragedy, and the damning echoes of the past. For fans of Leigh Bardugo, V. E. Schwab, and Fullmetal Alchemist.
(Content warnings for gore, sexual assault, and suicidal ideation)

Audition
One woman, the performance of a lifetime. Or two. A mesmerizing Mobius strip of a novel that asks who we are to the people we love.
Two people meet for lunch in a Manhattan restaurant. She’s an elegant and accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, and young—young enough to be her son. Who is he to her, and who is she to him? In Audition, two competing narratives unspool, rewriting our understanding of the roles we play every day—partner, parent, creator, muse—and the truths every performance masks, especially from those who think they know us best.

The Usual Desire to Kill
An often hilarious, surprisingly moving portrait of a long-married couple, seen through the eyes of their wickedly observant daughter—for fans of A Man Called Ove and The Royal Tenenbaums.
Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1982.
Miranda’s father is a retired professor of philosophy who never loses an argument. Her mother likes to bring conversation back to the War, although she was born after it ended. Married for fifty years, they are uncommonly set in their ways. Miranda plays the role of translator when she visits, communicating the desires or complaints of one parent to the other and then venting her frustration to her sister and her daughter. At the end of each visit, she reports “the usual desire to kill.”
A wry, propulsive, exquisitely observed story of a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them. This is an extraordinary debut novel from a seasoned playwright with a flare for dialogue and, in the end, immense empathy.

Friends of the Museum
Coworkers at a legendary but troubled New York City museum struggle with issues large and small over the course of one extraordinary day in this whip-smart “marvel” (Mona Awad, bestselling author of Bunny) of a novel in the vein of The White Lotus.
When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride.
Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart her enigmatic and tireless personal assistant, Chris; the museum’s trusty head of security, Shay; and its general counsel, Henry—a man whose ability to weasel his way out of a jam is matched only by his capacity to avoid learning anything from the experience.
Orbiting Diane is a motley assortment of museum employees, each on the precipice of collapse or among them a line cook staring down a huge opportunity he’s not sure he wants; a costume curator stuck in an inescapable rut; and the ambivalent curator of the museum’s film program, whose first day on the job might very well be his last.
On this day of the museum’s annual gala, every plate that Diane has kept spinning will fall and by daybreak, someone will be dead.
Wise, surprising, and darkly funny, Friends of the Museum is a kaleidoscopic tragicomedy that surges along to the unstoppable tick of the clock, leaving you on the edge of your seat until the final second.

The Night Eaters Vol. 3: Their Kingdom Come
Their Kingdom Come—by the New York Times bestselling and award-winning creative team Marjorie Liu and Sana Takeda—is the epic conclusion to the Eisner-winning graphic novel horror trilogy The Night Eaters
The thrilling conclusion to the critically acclaimed, award-winning Night Eaters trilogy!
What happens when you and your twin accidentally trigger the apocalypse while trying to defend your family from an evil warlock? Well, Milly and Billy are about to find out.
Los Angeles has been decimated by the Ting twins and the hole they’ve accidentally torn in the fabric of the universe. But that’s not all . . . across the world things are . . . changing. The long-separated realities of Earth and the magical world have collided with disastrous results. Milly and Billy are desperate to set things straight, but Keon and Ipo know better—some things can’t be undone. The final war for the fate of our world has begun.
In Their Kingdom Come, the New York Times bestselling creative team Marjorie Liu and Sana Takeda return to conclude their epic tale of magic and monsters, demons and demigods, and the capricious, incontrovertible power of luck.
