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Alternate cover edition of ASIN B08BKGYQXW

The apocalypse will be televised!

A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible.

In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground.

The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe.

Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style.

You can't just survive here. You gotta survive big.

You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy.

They call it Dungeon Crawler World. But for Carl, it's anything but a game.

#1 New York Times bestselling author Brandon Sanderson expands his Cosmere universe shared by The Stormlight Archive and Mistborn with a new standalone novel for everyone who loved The Princess Bride.

The only life Tress has known on her island home in an emerald-green ocean has been a simple one, with the simple pleasures of collecting cups brought by sailors from faraway lands and listening to stories told by her friend Charlie. But when his father takes him on a voyage to find a bride and disaster strikes, Tress must stow away on a ship and seek the Sorceress of the deadly Midnight Sea. Amid the spore oceans where pirates abound, can Tress leave her simple life behind and make her own place sailing a sea where a single drop of water can mean instant death?

Fate connects two people in life-changing ways in a deeply romantic and emotional novel about hope and second chances by the author of Would You Rather and The Roommate Pact.

Uncertain of what tomorrow brings, Elliott Holland decides to live it up—on the eve of a stem cell transplant to treat her leukemia. It’s destiny when she crosses paths with handsome and charming Jamie Sullivan. The chemistry is magic. So is a beautiful evening that ends with a bittersweet kiss goodbye and no expectations of ever seeing each other again.

One year later, Elliott’s future looks good. Her cancer is in remission. Her career in graphic design is taking off. And she’s finally met Carly, the young woman whose stem cell donation gave Elliott a second chance at life. Then, in a twist of fate both blissful and unfair, she meets Carly’s boyfriend. It’s Jamie, the man Elliott kissed like it was her last day on earth. Neither of them has ever forgotten it.

Now, the most difficult decisions of all lie ahead. Whatever risks there are to the heart, one need wins to grab hold of everything that can make someone feel alive again.

Four dissatisfied sixties-era housewives form a book club turned sisterhood that will hold fast amid the turmoil of a rapidly changing world and alter the course of each of their lives.

By early 1960s standards, Margaret Ryan, Viv Buschetti, and Bitsy Cobb, suburban housewives in a brand-new "planned community" in Northern Virginia, appear to have it all. The fact that "all" doesn't feel like enough leaves them feeling confused and guilty, certain the fault must lie with them. Things begin to change when they form a book club with Charlotte Gustafson--the eccentric and artsy "new neighbor" from Manhattan--and read Betty Friedan's just-released book, The Feminine Mystique.

Controversial and groundbreaking, the book struck a chord with an entire generation of women, helping them realize that they weren't alone in their dissatisfactions, or their longings, lifting their eyes to new horizons of possibility and achievement. Margaret, Charlotte, Bitsy, and Viv are among them. But is it really the book that alters the lives of these four very different women? Or is it the bond of sisterhood that helps them find courage to confront the past, navigate turmoil in a rapidly changing world, and see themselves in a new and limitless light?

Armed with a terminal diagnosis, a grudge, and a rental car, Hester sets out to fulfill her lifelong dream of killing her father in this brilliantly subversive and bleakly funny novel.

When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States. From five-star Midwestern hotels to cultish Southwestern compounds, the two slowly make their way across the country. But will the revelations they make along the way dissuade Hester from her goal?

Ragingly singular and surprisingly moving, Bad Nature is a story of stunning detours and twists until its final destination. Part road-trip novel, part revenge tale, part lament of our ongoing ecological crisis, it’s ultimately a deft examination of the indulgence of holding grudges, moral ambivalence, and the eternal possibility of redemption.

Coworkers at a legendary but troubled New York City museum struggle with issues large and small over the course of one extraordinary day in this whip-smart “marvel” (Mona Awad, bestselling author of Bunny) of a novel in the vein of The White Lotus.

When Diane Schwebe, the director of a major New York museum, is awakened in the early morning by a text message from the museum’s lawyer, it is the start of a twenty-four hour roller-coaster ride.

Diane has sacrificed many things in her life to help the fading institution stave off irrelevance and financial ruin. In this battle, she’s surrounded by her stalwart her enigmatic and tireless personal assistant, Chris; the museum’s trusty head of security, Shay; and its general counsel, Henry—a man whose ability to weasel his way out of a jam is matched only by his capacity to avoid learning anything from the experience.

Orbiting Diane is a motley assortment of museum employees, each on the precipice of collapse or among them a line cook staring down a huge opportunity he’s not sure he wants; a costume curator stuck in an inescapable rut; and the ambivalent curator of the museum’s film program, whose first day on the job might very well be his last.

On this day of the museum’s annual gala, every plate that Diane has kept spinning will fall and by daybreak, someone will be dead.

Wise, surprising, and darkly funny, Friends of the Museum is a kaleidoscopic tragicomedy that surges along to the unstoppable tick of the clock, leaving you on the edge of your seat until the final second.