Death Row (Alibis collection)
With all hope of an appeal fading away, the fate of a condemned murderess takes a shocking turn in a breathtaking short story.
Talia Kemper is on death row for murdering her husband. She had an alibi and no known motive, yet Talia’s unwavering protestations of innocence have always been ignored. Then one day in the visiting area, she sees a recognizable stranger she’s certain is her husband. It turns out the man she’s been convicted of killing may not be dead after all. But as the days tick away toward Talia’s execution, what will it take for her to be believed?
Freida McFadden’s Death Row is part of Alibis, a collection of stories about lies, truth, and deception. It’s just a matter of what you can get away with. They can be read or listened to in one sitting.
Heartwood
Heartwood takes you on a journey as a search and rescue team race against time when an experienced hiker mysteriously disappears on the Appalachian Trail in Maine.
In the heart of the Maine woods, an experienced Appalachian Trail hiker goes missing. She is forty-two-year-old Valerie Gillis, who has vanished 200 miles from her final destination. Alone in the wilderness, Valerie pours her thoughts into fractured, poetic letters to her mother as she battles the elements and struggles to keep hoping.
At the heart of the investigation is Beverly, the determined Maine State Game Warden tasked with finding Valerie, who leads the search on the ground. Meanwhile, Lena, a seventy-six-year-old birdwatcher in a Connecticut retirement community, becomes an unexpected armchair detective. Roving between these compelling narratives, a puzzle emerges, intensifying the frantic search, as Valerie’s disappearance may not be accidental.
Bald-Faced Liar
Living a lie becomes a matter of life and death for a woman hiding from her past in a novel of mounting psychological suspense by the bestselling author of Jane Doe and The Hook.
Traveling nurse Elizabeth May has a promising new home in Santa Cruz. And another new identity. It’s a pattern of reinvention for a woman escaping her traumatic childhood—and hiding from the decades of notoriety and destruction that followed. Invisibility has kept Elizabeth safe. Until now. After all these years, someone sees her for who she is.
Threat by threat, a vengeful stalker is dismantling Elizabeth’s carefully constructed lifetime of lies. And no one in her temporary circle can be trusted—not her fleeting new love interest, not the supportive friend she knows only from online forums, and certainly not the police. They’ve never been there for her.
As fear sharpens to terror, Elizabeth soon discovers something about her past that even she didn’t know. The revelation could finally set her on a path of healing and redemption. Or, now alone in the dark, it could be Elizabeth’s worst nightmare.
I See You've Called in Dead
“Razor-sharp, darkly comedic, and emotionally piercing. With the satirical bite of Richard Russo’s Straight Man, the introspection of Fredrik Backman’s A Man Called Ove, and the reinvention of Andrew Sean Greer's Less, Kenney’s vivid prose transforms the mundane into unexpected hilarity.”
—Booklist (starred review)
An Indie Next & LibraryReads Pick for April
The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story.
Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.
As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live.
Thurber Prize-winner and New York Times bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.
Anywhere You Go
"Sparkling banter, hilarious side characters, two cats I would foster in a heartbeat, and some truly hot moments."—Alicia Thompson, USA Today bestselling author
A small-town waitress and a big-city Broadway press agent swap homes to escape the messiness of their personal lives, only to find new purpose—and new love.
Tatum Ward and Eleanor Chapman lead totally opposite lives. Tatum’s never left her Midwestern hometown. She resides in a quaint guest cottage on her parents’ property while working part-time as a waitress, where she spends most shifts ignoring her feelings for a beautiful regular named June. Eleanor dedicates every waking hour to her high-profile press career, sacrificing personal relationships for professional success, save for the occasional hookup to fight off her loneliness. When both women’s lives unexpectedly blow up at the exact same time, they each need an escape, and fast.
In Tatum’s hometown, Eleanor expects a quiet hideaway where she can recharge. Instead she gets wrapped up in the family drama that Tatum left town to avoid, pulled in by Tatum’s charismatic older sibling, Carson, who charms Eleanor at every turn. Tatum ends up in Eleanor’s New York high-rise apartment with June. One week together in the big city might make it impossible for Tatum to avoid not just her true feelings for June, but her real dreams for her life.
Amid a friendship with a reclusive Hollywood actress and a complicated family reunion, Tatum and Eleanor each discover much more than they bargained for away from home. Their house swap won’t last forever, but it might be just long enough for both women to surrender their defenses and finally fight for the life—and love—they deserve.
Rebellion 1776
From New York Times bestselling author Laurie Halse Anderson comes an eerily timely historical fiction middle grade adventure about a girl struggling to survive amid a smallpox epidemic, the public’s fear of inoculation, and the seething Revolutionary War.
In the spring of 1776, thirteen-year-old Elsbeth Culpepper wakes to the sound of cannons. It’s the Siege of Boston, the Patriots’ massive drive to push the Loyalists out that turns the city into a chaotic war zone. Elsbeth’s father—her only living relative—has gone missing, leaving her alone and adrift in a broken town while desperately seeking employment to avoid the orphanage.
Just when things couldn’t feel worse, the smallpox epidemic sweeps across Boston. Now, Bostonians must fight for their lives against an invisible enemy in addition to the visible one. While a treatment is being frantically fine-tuned, thousands of people rush in from the countryside begging for inoculation. At the same time, others refuse protection, for the treatment is crude at best and at times more dangerous than the disease itself.
Elsbeth, who had smallpox as a small child and is now immune, finds work taking care of a large, wealthy family with discord of their own as they await a turn at inoculation, but as the epidemic and the revolution rage on, will she find her father?
