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If you knew your future, would you try to fight fate?

Aside from a delay, there will be no problems. The flight will be smooth, it will land safely. Everyone who gets on the plane will get off. But almost all of them will be forever changed.

Because on this ordinary, short, domestic flight, something extraordinary happens. People learn how and when they are going to die. For some, their death is far in the future—age 103!—and they laugh. But for six passengers, their predicted deaths are not far away at all.

How do they know this? There were ostensibly more interesting people on the flight (the bride and groom, the jittery, possibly famous woman, the giant Hemsworth-esque guy who looks like an off-duty superhero, the frazzled, gorgeous flight attendant) but none would become as famous as “The Death Lady.”

Not a single passenger or crew member will later recall noticing her board the plane. She wasn’t exceptionally old or young, rude or polite. She wasn’t drunk or nervous or pregnant. Her appearance and demeanor were unremarkable. But what she did on that flight was truly remarkable.

A few months later, one passenger dies exactly as she predicted. Then two more passengers die, again, as she said they would. Soon no one is thinking this is simply an entertaining story at a cocktail party.

If you were told you only had a certain amount of time left to live, would you do things differently? Would you try to dodge your destiny?

Liane Moriarty’s Here One Moment is a brilliantly constructed tale that looks at free will and destiny, grief and love, and the endless struggle to maintain certainty and control in an uncertain world. A modern-day Jane Austen who humorously skewers social mores while spinning a web of mystery, Moriarty asks profound questions in her newest I-can’t-wait-to-find-out-what-happens novel.

Perfect for fans of Lisa Jewell, Amy Tintera, and Laura Dave, this is a voice-driven, read-in-one-night suspense thriller narrated by a compulsive liar whose little white lies allow her to enter the life and comfort of a wealthy married couple who are harboring much darker secrets themselves.

Sloane Caraway is a liar.

Harmless lies, mostly, to make her self-proclaimed sad, little life a bit more interesting.

So when Sloane sees a young girl in tears at a park one afternoon, she can’t help herself—she tells the girl’s (very attractive) dad she’s a nurse and helps him pull a bee stinger from his daughter’s foot.

With this lie and chance encounter, Sloane becomes the nanny for the wealthy and privileged Jay and Violet Lockhart. The perfect New York couple, with a brownstone, a daughter in private school, and summers on Block Island.

But maybe Sloane isn’t the only one lying, and all that’s picture-perfect harbors a much more dangerous truth. Be careful what you lie for.

From New York Times bestseller and Edgar-Award nominee Elle Cosimano, comes Finlay Donovan Digs Her Own Grave—the hugely anticipated next installment in the fan-favorite Finlay Donovan series.

Finlay Donovan may have skeletons in her closet . . . but at least there's not a body in her backyard.

Finlay Donovan and her nanny/partner-in-crime, Vero, have not always gotten along with Finlay’s elderly neighbor, Mrs. Haggerty, the community busybody and president of the neighborhood watch. But when a dead body is discovered in her backyard, Mrs. Haggerty needs their help. At first a suspect, Mrs. Haggerty is cleared by the police, but her house remains an active crime scene. She has nowhere to go . . . except Finlay’s house, right across the street.

Finlay and Vero have no interest in getting involved in another murder case—or sacrificing either of their bedrooms. After all, they’ve dealt with enough murders over the last four months to last a lifetime and they both would much rather share their beds with someone else.

A haunting novel about the boundaries people will cross to keep their dreams alive.

A mysterious stranger shows up at Riccardo’s apartment with some news: his grandmother Perihan has died, and Riccardo has inherited her villa in Milan along with her famed butterfly collection.

The struggling writer is out of options. He’s hoping the change of scenery in Milan will inspire him, and maybe there will be some money to keep him afloat. But Perihan’s house isn’t as opulent as he remembers. The butterflies pinned in their glass cases seem more ominous than artful. Perihan’s group of mysterious old friends is constantly lurking. And there’s something wrong in the greenhouse.

As Riccardo explores the decrepit estate, he stumbles upon Perihan’s diary, which might hold the key to her mysterious death. Or at least give him the inspiration he needs to finish his manuscript.

But he might not survive long enough to write it.

From award-winning author Nghi Vo comes Don't Sleep with the Dead, a standalone companion novella to The Chosen and the Beautiful, her acclaimed reimagining of The Great Gatsby.

Nick Carraway?paper soldier and novelist?has found a life and a living watching the mad magical spectacle of New York high society in the late thirties. He's good at watching, and he's even better at pretending: pretending to be straight, pretending to be human, pretending he's forgotten the events of that summer in 1922.

On the eve of the second World War, however, Nick learns that someone's been watching him pretend and that memory goes both ways. When he sees a familiar face at a club one night, it quickly becomes clear that dead or not, damned or not, Jay Gatsby isn't done with him.

In all paper there is memory, and Nick's ghost has come home.

A family saga following four generations on a time-bending journey from coastal Scotland to a colony on Mars.

Hannah is a fusion scientist working in a cottage off the coast of Scotland when she’s approached by a visitor from the future, a young man from a human settlement on Mars, traveling backward through time to intervene in the fate of a warming planet.

Roban lives in the Colony, a sterile outpost of civilization, where he longs for the wonders of a home planet he never knew. Between Hannah and Roban, two generations, a father and a daughter, face down an uncertain future. Andrew believes there is still time for the human spirit to triumph. For his rationalist daughter Kenzie, such idealism is not enough to keep the rising floods at bay, so she signs on to work for a company that would abandon Earth for the promise of a world beyond.

In exploring the question “What if you could come back to the past and somehow change it with technology?” Joe Mungo Reed has written an immersive story of hope, hubris, and sacrifice in the face of a frighteningly precarious present.

In this epic Afrofuturist debut, an archivist finds herself the target of a violent plot and must rely on the help of her AI assistive technologies.

In near-future Los Angeles, Xandria Brown works diligently as an archivist at the Huntington Library, Art Museum, and Botanical Gardens. Descended from a family of obsessive collectors who took part in the Great Migration, Xandria has always been passionate about the art of curation and preservation, especially of seemingly useless African American ephemera. But while juggling multiple projects, her neurocognitive symptoms of long COVID are worsening, as her healthbot keeps having to remind her. When the Huntington unexpectedly goes into lockdown, Xandria must rely on her adaptive technology and her own flickering intuition to preserve her life’s work—the Diwata Collection. A strikingly original saga written in lyrical prose, The Ephemera Collector announces Stacy Nathaniel Jackson as a singular new voice in fiction.