NO DESCRIPTIONS
Worst Wingman Ever (The Improbable Meet-Cute #2)
They’re falling in love, yet they’ve never met. Maybe fate can intervene in a heartwarming “what-if” short story about new beginnings by the New York Times bestselling author of Yours Truly.
Holly is dealing with the impending death of her grandmother and still reeling from a bad breakup. One bright spot: a Valentine’s Day card on Holly’s windshield—even if it wasn’t meant for her. An amusing mistake soon turns into a lovely exchange of anonymous notes, little acts of kindness, and a growing affection between two strangers. What happens when one of them has to say goodbye?
Everyone Here Is Lying
Welcome to Stanhope - a safe neighbourhood. A place for families.
William Wooler is a family man, on the surface. But he's been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter Avery unexpectedly home from school, William loses his temper.
Hours later, Avery's family declare her missing.
Suddenly Stanhope doesn't feel so safe. And William isn't the only one on his street who's hiding a lie. As witnesses come forward with information that may or may not be true, Avery's neighbours become increasingly unhinged.
Who took Avery Wooler?
Nothing will prepare you for the truth.
The Eights
They knew they were changing history.
They didn't know they would change each other.
Following the unlikely friendship of four of the first ever women to matriculate at Oxford University in the aftermath of the First World War, a captivating debut novel about sisterhood, self-determination and the many forms courage can take.
Oxford, 1920. For the first time in its 1000-year history, the world's most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms. Beatrice, Dora, Marianne and Otto (collectively known as The Eights) have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship.
Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Politically-minded Beatrice, daughter of a famous suffragette, sees Oxford as a chance to make her own way - and some friends her own age. Otto was a nurse during the war but is excited to return to her socialite lifestyle in Oxford - where she hopes to find distraction from the memories that haunt her. And finally Marianne, the quiet, clever daughter of a village pastor, who has a shocking secret she must hide from everyone, even her new friends, if she is to succeed.
But Oxford's dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.
Bad Nature
Armed with a terminal diagnosis, a grudge, and a rental car, Hester sets out to fulfill her lifelong dream of killing her father in this brilliantly subversive and bleakly funny novel.
When Hester is diagnosed with terminal cancer on her fortieth birthday, she knows immediately what she must do: abandon her possessions and drive to California to kill her estranged father. With no friends or family tying her to the life she’s built in New York City, she quits her wildly lucrative job in corporate law and starts driving west. She hasn’t made it far when she runs into John, an environmental activist in need of a ride to different superfund sites across the United States. From five-star Midwestern hotels to cultish Southwestern compounds, the two slowly make their way across the country. But will the revelations they make along the way dissuade Hester from her goal?
Ragingly singular and surprisingly moving, Bad Nature is a story of stunning detours and twists until its final destination. Part road-trip novel, part revenge tale, part lament of our ongoing ecological crisis, it’s ultimately a deft examination of the indulgence of holding grudges, moral ambivalence, and the eternal possibility of redemption.
Sour Cherry
A stunning reimagining of Bluebeard—one of the most mythologized serial killers—twisted into a modern tale of toxic masculinity, a feminist sermon, and a folktale for the twenty-first century.
The tale begins with Agnes. After losing her baby, Agnes is called to the great manor house to nurse the local lord’s baby boy. But something is wrong with the child: his nails grow too fast, his skin smells of soil, and his eyes remind her of the dark forest. As he grows into a boy, then into man, a plague seems to follow him everywhere. Trees wither at the roots, fruits rot on their branches, and the town turns against him. The man takes a wife, who bears him a son. But tragedy strikes in cycles and his family is forced to consider their own malignancy—until wife after wife, death after death, plague after plague, every woman he touches becomes a ghost. The ghosts become a chorus, and they call urgently to our narrator as she tries to explain, in our very real world, exactly what has happened to her. The ghosts can all agree on one thing, an inescapable truth about this man, this powerful lord who has loved them and led them each to ruin: If you leave, you die. But if you die, you stay.
Natalia Theodoridou’s haunting and unforgettable debut novel, Sour Cherry, confronts age-old systems of gender and power, long-held excuses made for bad men, and the complicated reasons we stay captive to the monsters we love.
