Death Row (Alibis collection)
With all hope of an appeal fading away, the fate of a condemned murderess takes a shocking turn in a breathtaking short story.
Talia Kemper is on death row for murdering her husband. She had an alibi and no known motive, yet Talia’s unwavering protestations of innocence have always been ignored. Then one day in the visiting area, she sees a recognizable stranger she’s certain is her husband. It turns out the man she’s been convicted of killing may not be dead after all. But as the days tick away toward Talia’s execution, what will it take for her to be believed?
Freida McFadden’s Death Row is part of Alibis, a collection of stories about lies, truth, and deception. It’s just a matter of what you can get away with. They can be read or listened to in one sitting.
Count My Lies
Perfect for fans of Lisa Jewell, Amy Tintera, and Laura Dave, this is a voice-driven, read-in-one-night suspense thriller narrated by a compulsive liar whose little white lies allow her to enter the life and comfort of a wealthy married couple who are harboring much darker secrets themselves.
Sloane Caraway is a liar.
Harmless lies, mostly, to make her self-proclaimed sad, little life a bit more interesting.
So when Sloane sees a young girl in tears at a park one afternoon, she can’t help herself—she tells the girl’s (very attractive) dad she’s a nurse and helps him pull a bee stinger from his daughter’s foot.
With this lie and chance encounter, Sloane becomes the nanny for the wealthy and privileged Jay and Violet Lockhart. The perfect New York couple, with a brownstone, a daughter in private school, and summers on Block Island.
But maybe Sloane isn’t the only one lying, and all that’s picture-perfect harbors a much more dangerous truth. Be careful what you lie for.
Society of Lies
How far would you go to belong?
Maya has returned to Princeton for her college reunion—it’s been a decade since she graduated, and she is looking forward to seeing old faces and reminiscing about her time there. This visit is special because Maya will also be attending the graduation of her little sister, Naomi.
But what should have been a dream weekend becomes Maya’s worst nightmare when she receives the news that Naomi is dead. The police are calling it an accident, but Maya suspects that there is more to the story than they are letting on.
As Maya pieces together what happened in the months leading up to her sister’s death, she begins to realize how much Naomi hid from her. Despite Maya’s warnings, Naomi had joined Sterling Club, the most exclusive social club on campus—the same one Maya belonged to. And if she had to guess, Naomi was likely tapped for the secret society within it.
The more Maya uncovers, the more terrified she becomes that Naomi’s decision to follow in her footsteps might have been what got her killed. Because Maya’s time at Princeton wasn’t as wonderful as she’d always made it seem—after all, her sister wasn’t the first young woman to turn up dead. Now every clue is leading Maya back to the past . . . and to the secret she’s kept all these years.
I See You've Called in Dead
“Razor-sharp, darkly comedic, and emotionally piercing. With the satirical bite of Richard Russo’s Straight Man, the introspection of Fredrik Backman’s A Man Called Ove, and the reinvention of Andrew Sean Greer's Less, Kenney’s vivid prose transforms the mundane into unexpected hilarity.”
—Booklist (starred review)
An Indie Next & LibraryReads Pick for April
The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story.
Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.
As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live.
Thurber Prize-winner and New York Times bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.
Murder Runs in the Family
Amber thought she had troubles before her grandma was arrested for murder…
Amber Winslow's life has taken a serious turn for the worse. When an impulsive decision forces her to flee her former life carrying nothing but the clothes on her back, she heads to the sunny state of Arizona and the luxury accommodations of her grandmother's retirement community. Never mind that Amber's never actually met her estranged and eccentric grandmother.
As soon as she sneaks her things into Seven Ponds (a place she technically doesn't qualify for and definitely can't afford), she's shocked to learn that George Vincent, a.k.a. the Admiral, was found dead the very night of her arrival. Much to Amber's dismay, no one seems particularly distraught over the news of the Admiral's death or the disappearance of his prize pet tortoise. All anyone can talk about is a missing Vincent family heirloom, and they're quick to blame Jade for both the Admiral's murder and the theft of the priceless ring.
Amber doesn't want to admit the woman she's just met—and who accepted her without question—could be a villain, and she's determined to clear her grandmother's name no matter the cost.
Terrestrial History
A family saga following four generations on a time-bending journey from coastal Scotland to a colony on Mars.
Hannah is a fusion scientist working in a cottage off the coast of Scotland when she’s approached by a visitor from the future, a young man from a human settlement on Mars, traveling backward through time to intervene in the fate of a warming planet.
Roban lives in the Colony, a sterile outpost of civilization, where he longs for the wonders of a home planet he never knew. Between Hannah and Roban, two generations, a father and a daughter, face down an uncertain future. Andrew believes there is still time for the human spirit to triumph. For his rationalist daughter Kenzie, such idealism is not enough to keep the rising floods at bay, so she signs on to work for a company that would abandon Earth for the promise of a world beyond.
In exploring the question “What if you could come back to the past and somehow change it with technology?” Joe Mungo Reed has written an immersive story of hope, hubris, and sacrifice in the face of a frighteningly precarious present.
