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As a third-year Ph.D. candidate, Olive Smith doesn't believe in lasting romantic relationships--but her best friend does, and that's what got her into this situation. Convincing Anh that Olive is dating and well on her way to a happily ever after was always going to take more than hand-wavy Jedi mind tricks: Scientists require proof. So, like any self-respecting biologist, Olive panics and kisses the first man she sees.

That man is none other than Adam Carlsen, a young hotshot professor--and well-known ass. Which is why Olive is positively floored when Stanford's reigning lab tyrant agrees to keep her charade a secret and be her fake boyfriend. But when a big science conference goes haywire, putting Olive's career on the Bunsen burner, Adam surprises her again with his unyielding support and even more unyielding... six-pack abs.

Suddenly their little experiment feels dangerously close to combustion. And Olive discovers that the only thing more complicated than a hypothesis on love is putting her own heart under the microscope.

Two women haunted by their sisters' unsolved disappearances band together in this captivating mystery from the #1 New York Times bestselling author of All Good People Here and host of the #1 true crime podcast Crime Junkie.

Nicole “Nic” Monroe is in a rut. At twenty-four, she lives alone in a dinky apartment in her hometown of Mishawaka, Indiana, she’s just gotten a DWI, and she works the same dead-end job she’s been working since high school, a job she only has because her boss is a family friend and feels sorry for her. Everyone has felt sorry for her for the last seven years—since the day her older sister, Kasey, vanished without a trace.

On the night Kasey went missing, her car was found over a hundred miles from home. The driver’s door was open and her purse was untouched in the seat next to it. The only real clue in her disappearance was Jules Connor, another young woman from the same area who disappeared in the same way, two weeks earlier. But with so little for the police to go on, both their cases eventually went cold.

Nic wants nothing more than to move on—from her sister’s disappearance and the state it’s left her in. But then one day, Jules’s sister, Jenna Connor, walks into her life and offers Nic something she hasn’t felt in a long hope. What follows is a gripping tale of two sisters who will do anything to find their missing halves, even if it means destroying everything they’ve ever known.

Find out where it all started for Pip in this prequel novella to the A Good Girl's Guide to Murder.

Pippa Fitz-Amobi is not in the mood for her friend's murder mystery party. Especially one that involves 1920's fancy dress and pretending that their town, Little Kilton, is an island called Joy. But when the game begins, Pip finds herself drawn into the make-believe world of intrigue, deception and murder. But as Pip plays detective, teasing out the identity of the killer clue-by-clue, the murder of the fictional Reginald Remy isn't the only case on her mind ... Contains mature content, for older readers.

Four strangers are brought together to participate in an experimental treatment designed to heal broken hearts in this surprising and heartfelt debut novel from author Amelia Ireland.

In a perfectly ordinary building, four strangers who couldn't be more different meet for the first time. Their skepticism of this new kind of grief therapy—and the unnervingly perceptive group leader—means they're all wary, but as the weeks go by, they find themselves returning again and again, pulled to work toward healing, even if it means first facing the pain head-on.

A sharp-tongued lawyer who has no intention of letting down her walls, a fragile young woman looking for a place to belong, a musician at the top of his game who's one drink away from losing it all, and an interior designer facing the crumbling of her picture-perfect life—this unlikely group slowly opens up, not only to the possibility of a happier future but to friendship, change, and even romance.

When a shocking revelation reveals the real reason they were chosen for this group, it shakes the very foundation of what they thought they knew. What began as a journey designed to heal turns out to be a much greater test of friendship, strength, and love as they realize happiness is just outside the door...if they're brave enough to seek it.

A sweeping historical novel in the vein of Hilary Mantel and Maggie O’Farrell set during the time of the Tudors’ ascent. The Pretender tells the story of Lambert Simnel, who was raised in obscurity as a peasant boy to protect his safety, believed to be the heir to the throne occupied by Richard III, and briefly crowned, at the age of ten, as King Edward the Sixth, one of the last of the Plantagenets.

In 1480, John Collan’s greatest anxiety is how to circumvent the village’s devil goat on the way to collect water. But the arrival of a well-dressed stranger from London upends his life forever: John is not John Collan, not the son of Will Collan, but the son of the long-deceased Duke of Clarence, hidden in the countryside after a brotherly rift over the crown, and because Richard III has a habit of disappearing his nephews. Removed from his humble origins, sent to Oxford to be educated in a manner befitting the throne’s rightful heir, John is put into play by his masters, learning the rules of etiquette in Burgundy and the machinations of the court in Ireland, where he encounters the intractable Joan, the delightfully strong-willed and manipulative daughter of his Irish patrons, a girl imbued with both extraordinary political savvy and occasional murderous tendencies. Joan has two paths available her—marry, or become a nun. Lambert’s choices are similarly stark: he will either become King, or die in battle. Together they form an alliance that will change the fate of the English monarchy.

Inspired by a footnote to history—the true story of the little known Simnel, who was a figurehead of the 1487 Yorkist rebellion and ended up working as a spy in the court of King Henry VII— The Pretender is historical fiction at its finest, a gripping, exuberant, rollicking portrait of British monarchy and life within the court, with a cast of unforgettable heroes and villains drawn from 15th century England. A masterful new work from a major new author.

Zoe Hana Mikuta delivers a bloody and unrelenting fantasy about young witches dangling on the edge of love and obsession, of magic and madness, of life and death (and death and death and death). . .

Just like her mother and her mother’s mother, 18-year-old Vanity Adams is destined to lead a lavish life under the patronship of the Museum, someday taking her place as its premiere necromantic Spectacle and the centerpiece of their weekly soirees thrown for the City’s elite.

But until that day, Vanity (and the other young witches of the Museum) is isolated from the outside world and purged of her magic—magic being particularly unstable for teenagers and often leading to antisocial conduct, mood swings, bloodlust, delusions, and, most concerning, a habitual, violent obsession with one another.

To all of this, Vanity thinks: Well, whatever. Better than being confined to the Sanatorium with the less fortunate witches, imprisoned in a chemically induced coma as her blood is harvested to make World, the City’s favorite designer drug. At least she’ll be dead someday, there’s always that. And at least the Museum has Arrogance, Vanity’s twin sister, who just might remember how to do magic, and who just might be where our story begins. . . .