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Tess Strebel can’t recognize her own face.

She can’t recognize her home. Her bedroom is unfamiliar. And she can’t remember the handsome stranger lying next to her in bed. A stranger who claims he’s her husband.

Tess reads a letter in her own handwriting, composed during a rare lucid day, explaining her life as it now exists: She was in a terrible car accident one year ago. Every morning, she wakes up unable to remember most of the last decade. Including her own wedding.

Tess has no choice but to accept her new life and hope her memory will return. After all, why should she doubt the letter she wrote to herself? Or the kind man from the wedding photos on her dresser who seems to genuinely care about her well-being?

And then Tess receives a text message on her phone. One that changes everything:

"Don’t trust the man who calls himself your husband."

"The training levels have concluded. Now the games may truly begin."

The ratings and views are off the chart. The fans just can't get enough. The dungeon gets more dangerous each day. But in a grinder designed to chew up and spit out crawlers by the millions, Carl and Princess Donut need to work harder than ever just to survive.

They call it the Over City. A sprawling, once-thriving metropolis devastated by a mysterious calamity. But these streets are far from abandoned. An undead circus trawls the ruins. Murdered prostitutes rain from the sky. An ancient spell is finally ready to reveal its dark purpose.

Carl still has no pants.

They call it Dungeon Crawler World. For Carl and Donut, it's anything but a game.

Welcome to Stanhope - a safe neighbourhood. A place for families.

William Wooler is a family man, on the surface. But he's been having an affair, an affair that ended horribly this afternoon at a motel up the road. So when he returns to his house, devastated and angry, to find his difficult nine-year-old daughter Avery unexpectedly home from school, William loses his temper.

Hours later, Avery's family declare her missing.

Suddenly Stanhope doesn't feel so safe. And William isn't the only one on his street who's hiding a lie. As witnesses come forward with information that may or may not be true, Avery's neighbours become increasingly unhinged.

Who took Avery Wooler?

Nothing will prepare you for the truth.

When a young librarian discovers historic dollhouses in a hidden room, she embarks on an unexpected journey that reveals surprising secrets about the lost miniatures.

Tildy Barrows, Head Curator of a beautiful archival library in San Francisco, is meticulously dedicated to the century’s worth of inventory housed in her beloved Beaux Art building. She loves the calm and order in the shelves of books and walls of art. But Tildy’s uneventful life takes an unexpected turn when she, first, learns the library is on the verge of bankruptcy and, second, discovers two exquisite never-before-seen dollhouses. After finding clues hidden within these remarkable miniatures, Tildy starts to believe that Belva Curtis LeFarge, the influential heiress who established the library a century ago, is conveying a significant final message.

With a newfound sense of spontaneity, Tildy sets out to decipher the secret history of the dollhouses, aiming to salvage her cherished library in the process. Her journey to understand introduces her to a world of ambitious and gifted women in Belle Époque Paris, a group of scarred World War I veterans in the English countryside, and Walt Disney’s bustling Burbank studio in the 1950s. As Tildy unravels the mystery, she finds not only inspiring, overlooked history, but also a future for herself, filled with exciting possibilities—and an astonishing familial revelation.

Spanning the course of a century, The Library of Lost Dollhouses is a warm, bright, and captivating story of secrets and love that embraces the importance of illuminating overlooked women of the past.

A GOODREADS HOTTEST DEBUT

“So stunningly fresh and darkly funny that every page surprised me. Morgan Dick doesn’t just craft a clever plot—she writes brilliantly about grief and addiction and inheritance and, yes, redemption.”
—Catherine Newman, author of the New York Times bestseller Sandwich

A darkly funny debut novel about two estranged sisters who are unknowingly thrown together by their problematic father’s dying wish

Mickey and Arlo are half sisters. But they’ve never spoken and never met. Arlo adored her father—but always lived in the shadow of his magnetic personality and burdensome vices. Meanwhile, their father abandoned ?Mickey and her mother years ago, and Mickey has hated him since. When she receives news of her father’s passing, Mickey is shocked to learn that he’s left her his not-inconsiderable fortune. The catch: Mickey must attend a series of therapy sessions before the money can be released.

Unbeknownst to either woman, the psychologist Mickey’s father has ensured she meets with is her half sister, Arlo. Having cared for her beloved father on his sickbed, Arlo is devastated to discover he’s cut her out of his will. She resolves to learn where the money went and why.

Working together as therapist and patient—with no idea that they’re in fact sisters—Arlo and Mickey soon get under each other’s skin. Arlo, eager to outrun a mistake in her professional past, is keen to redeem herself with her new client. But Mickey is far from the model patient. As Mickey’s personal and professional lives spiral out of control and Arlo uncovers the truth about who her new patient really is, the sisters find themselves on a crash course that will break—or save—them both.

Zoe Hana Mikuta delivers a bloody and unrelenting fantasy about young witches dangling on the edge of love and obsession, of magic and madness, of life and death (and death and death and death). . .

Just like her mother and her mother’s mother, 18-year-old Vanity Adams is destined to lead a lavish life under the patronship of the Museum, someday taking her place as its premiere necromantic Spectacle and the centerpiece of their weekly soirees thrown for the City’s elite.

But until that day, Vanity (and the other young witches of the Museum) is isolated from the outside world and purged of her magic—magic being particularly unstable for teenagers and often leading to antisocial conduct, mood swings, bloodlust, delusions, and, most concerning, a habitual, violent obsession with one another.

To all of this, Vanity thinks: Well, whatever. Better than being confined to the Sanatorium with the less fortunate witches, imprisoned in a chemically induced coma as her blood is harvested to make World, the City’s favorite designer drug. At least she’ll be dead someday, there’s always that. And at least the Museum has Arrogance, Vanity’s twin sister, who just might remember how to do magic, and who just might be where our story begins. . . .

In this epic Afrofuturist debut, an archivist finds herself the target of a violent plot and must rely on the help of her AI assistive technologies.

In near-future Los Angeles, Xandria Brown works diligently as an archivist at the Huntington Library, Art Museum, and Botanical Gardens. Descended from a family of obsessive collectors who took part in the Great Migration, Xandria has always been passionate about the art of curation and preservation, especially of seemingly useless African American ephemera. But while juggling multiple projects, her neurocognitive symptoms of long COVID are worsening, as her healthbot keeps having to remind her. When the Huntington unexpectedly goes into lockdown, Xandria must rely on her adaptive technology and her own flickering intuition to preserve her life’s work—the Diwata Collection. A strikingly original saga written in lyrical prose, The Ephemera Collector announces Stacy Nathaniel Jackson as a singular new voice in fiction.