Dungeon Crawler Carl (Dungeon Crawler Carl #1)
Alternate cover edition of ASIN B08BKGYQXW
The apocalypse will be televised!
A man. His ex-girlfriend's cat. A sadistic game show unlike anything in the universe: a dungeon crawl where survival depends on killing your prey in the most entertaining way possible.
In a flash, every human-erected construction on Earth—from Buckingham Palace to the tiniest of sheds—collapses in a heap, sinking into the ground.
The buildings and all the people inside have all been atomized and transformed into the dungeon: an 18-level labyrinth filled with traps, monsters, and loot. A dungeon so enormous, it circles the entire globe.
Only a few dare venture inside. But once you're in, you can't get out. And what's worse, each level has a time limit. You have but days to find a staircase to the next level down, or it's game over. In this game, it's not about your strength or your dexterity. It's about your followers, your views. Your clout. It's about building an audience and killing those goblins with style.
You can't just survive here. You gotta survive big.
You gotta fight with vigor, with excitement. You gotta make them stand up and cheer. And if you do have that "it" factor, you may just find yourself with a following. That's the only way to truly survive in this game—with the help of the loot boxes dropped upon you by the generous benefactors watching from across the galaxy.
They call it Dungeon Crawler World. But for Carl, it's anything but a game.

The Wife Upstairs
Victoria Barnett has it all.
A great career. A handsome and loving husband. A beautiful home in the suburbs and a plan to fill it with children. Life is perfect—or so it seems.
Then she’s in a terrible accident… and everything falls apart.
Now Victoria is unable to walk. She can’t feed or dress herself. She can’t even speak. She is confined to the top floor of her house with twenty-four-hour care.
Sylvia Robinson is hired by Victoria’s husband to help care for her. But it turns out Victoria isn’t as impaired as Sylvia was led to believe. There’s a story Victoria desperately wants to tell... if only she could get out the words.
Then Sylvia discovers Victoria’s diary hidden away in a drawer.
And what’s inside is shocking.

Gray After Dark
A merciless wilderness. A harrowing attack. A desperate escape.
When a tragic accident sidelines Miley's dreams of Olympic gold, she takes a summer job at a mountain guest lodge.
The Frank Church Wilderness is remote, but it’s the perfect place to train and recover. Local lore about a staffer who died years ago doesn’t scare her. But it should.
Miley’s plans take a terrifying detour when she’s abducted during a morning run. Held captive in a desolate off-grid cabin, she’ll have to use her athletic prowess, cunning mind, and courage to survive. But as the nightmare at the cabin escalates, Miley is forced to form an unlikely alliance and attempt a risky escape.
Can she outwit her captors and survive the wilderness before it’s too late?
Inspired by true events, Gray After Dark is a pulse-pounding psychological thriller with a finale that will leave you breathless.

I See You've Called in Dead
“Razor-sharp, darkly comedic, and emotionally piercing. With the satirical bite of Richard Russo’s Straight Man, the introspection of Fredrik Backman’s A Man Called Ove, and the reinvention of Andrew Sean Greer's Less, Kenney’s vivid prose transforms the mundane into unexpected hilarity.”
—Booklist (starred review)
An Indie Next & LibraryReads Pick for April
The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story.
Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.
As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live.
Thurber Prize-winner and New York Times bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.

The Usual Desire to Kill
An often hilarious, surprisingly moving portrait of a long-married couple, seen through the eyes of their wickedly observant daughter—for fans of A Man Called Ove and The Royal Tenenbaums.
Miranda’s parents live in a dilapidated house in rural France that they share with two llamas, eight ducks, five chickens, two cats, and a freezer full of food dating back to 1982.
Miranda’s father is a retired professor of philosophy who never loses an argument. Her mother likes to bring conversation back to the War, although she was born after it ended. Married for fifty years, they are uncommonly set in their ways. Miranda plays the role of translator when she visits, communicating the desires or complaints of one parent to the other and then venting her frustration to her sister and her daughter. At the end of each visit, she reports “the usual desire to kill.”
A wry, propulsive, exquisitely observed story of a singularly eccentric family and the sibling rivalry, generational divides, and long-buried secrets that shape them. This is an extraordinary debut novel from a seasoned playwright with a flare for dialogue and, in the end, immense empathy.

Terrestrial History
A family saga following four generations on a time-bending journey from coastal Scotland to a colony on Mars.
Hannah is a fusion scientist working in a cottage off the coast of Scotland when she’s approached by a visitor from the future, a young man from a human settlement on Mars, traveling backward through time to intervene in the fate of a warming planet.
Roban lives in the Colony, a sterile outpost of civilization, where he longs for the wonders of a home planet he never knew. Between Hannah and Roban, two generations, a father and a daughter, face down an uncertain future. Andrew believes there is still time for the human spirit to triumph. For his rationalist daughter Kenzie, such idealism is not enough to keep the rising floods at bay, so she signs on to work for a company that would abandon Earth for the promise of a world beyond.
In exploring the question “What if you could come back to the past and somehow change it with technology?” Joe Mungo Reed has written an immersive story of hope, hubris, and sacrifice in the face of a frighteningly precarious present.

