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A best-selling author. A mother. A murderer…

Mackenzie Casper is a brilliant student. But she is best known for her mother, a best-selling author whose dark, twisted thrillers have a dedicated worldwide fanbase.

When her mother dies in an accident, fans across the world are left grieving, and the investigators are asking: Was that really an accident?

The day of the memorial service, Mackenzie gets the first mysterious envelope, signed,
From #1 fan. XOXO

Inside are the pages of her mother’s diary that start with the lines:
Want to know a secret?
Love, Mom.

What Mackenzie reads leaves her in shock.
But then comes the second letter.
And the third...

Mackenzie starts her own investigation and stumbles upon secrets that her family has lived with for years.
Quickly, she realizes that her mother's path to stardom was etched with sinister lies that might have caught up with her.

Sometimes fame is worth a murder. Or worse.
Soon, Mackenzie will come to find out that there are worse things than murder…

On February 14, an accidental email to a stranger opens the door to an unexpected relationship in a captivating short story by the New York Times bestselling authors of The Unhoneymooners.

One typo, and a boy and girl connect by chance. Wishing each other a happy Valentine’s Day isn’t the end. In fact, it becomes a friendly annual tradition—with rules: no pics, no real names, nothing too personal. As years pass, the rules for their email “dates” are breaking, and they’re sharing more than they imagined—including the urge to ask…what if we actually met?

Christina Lauren’s The Exception to the Rule is part of The Improbable Meet-Cute, irresistibly romantic stories about finding love when and where you least expect it. They can be read or listened to in one sitting.

12 hours

LAPD Detective Renée Ballard tracks a terrifying serial rapist whose trail has gone cold, with the help of the newest volunteer to the Open-Unsolved Unit: Patrol Officer Maddie Bosch, Harry’s daughter.

Renée Ballard and the LAPD’s Open-Unsolved Unit get a hot shot DNA connection between a recently arrested man and a serial rapist and murderer who went quiet twenty years ago. The arrested man is only twenty-three, so the genetic link must be familial. It is his father who was the Pillowcase Rapist, responsible for a five-year reign of terror in the city of angels. But when Ballard and her team move in on their suspect, they encounter a baffling web of secrets and legal hurdles.

Meanwhile, Ballard’s badge, gun, and ID are stolen—a theft she can’t report without giving her enemies in the department the ammunition they need to end her career as a detective. She works the burglary alone, but her solo mission leads her into greater danger than she anticipates. She has no choice but to go outside the department for help, and that leads her to the door of Harry Bosch.

Finally, Ballard takes on a new volunteer to the cold case unit. Bosch’s daughter Maddie wants to supplement her work as a patrol officer on the night beat by investigating cases with Ballard. But Renée soon learns that Maddie has an ulterior motive for getting access to the city’s library of lost souls.

“Razor-sharp, darkly comedic, and emotionally piercing. With the satirical bite of Richard Russo’s Straight Man, the introspection of Fredrik Backman’s A Man Called Ove, and the reinvention of Andrew Sean Greer's Less, Kenney’s vivid prose transforms the mundane into unexpected hilarity.”
—Booklist (starred review)

An Indie Next & LibraryReads Pick for April

The Office meets Six Feet Under meets About a Boy in this coming-of-middle-age tale about having a second chance to write your life’s story.

Bud Stanley is an obituary writer who is afraid to live. Yes, his wife recently left him for a “far more interesting” man. Yes, he goes on a particularly awful blind date with a woman who brings her ex. And yes, he has too many glasses of Scotch one night and proceeds to pen and publish his own obituary. The newspaper wants to fire him. But now the company’s system has him listed as dead. And the company can’t fire a dead person. The ensuing fallout forces him to realize that life may be actually worth living.

As Bud awaits his fate at work, his life hangs in the balance. Given another shot by his boss and encouraged by his best friend, Tim, a worldly and wise former art dealer, Bud starts to attend the wakes and funerals of strangers to learn how to live.

Thurber Prize-winner and New York Times bestselling author John Kenney tells a funny, touching story about life and death, about the search for meaning, about finding and never letting go of the preciousness of life.

Three siblings reckon with the darkness hidden within their family after multiple graves are discovered behind their childhood home.

When the Rawlins family matriarch unexpectedly dies, all three adult children rush home. What they find is a house bursting with grief, dark memories surfacing around each corner, and multiple bodies buried deep in the woods. The Rawlinses want to believe these discoveries point to a crime long past. But one of the graves behind Teague House is fresh, the earth disturbed just that week—and its inhabitant is a local woman they knew.

Is the youngest Rawlins sibling with something to hide guilty of her murder? Is his sister experiencing false memories of her late father digging near the graves? Why is their aunt in such a rush to leave town after her sister's funeral?

Enter private detective Maddie Reed, who has her own reasons for being curious about the bodies buried behind Teague House. Detective Reed sets out to unmask a killer—one she may have been hunting all her life.

The Other Black Girl meets The Push in this taut psychological drama about a CEO on maternity leave who goes missing after she becomes addicted to an experimental, guilt-erasing pill, exploring themes of motherhood, privilege, race, and how the world treats women who dare to “have it all.”

What if women could get rid of their guilt?

Maya Patel has it all—her own start-up, a sexy, doting husband, influencer status, and now, a new baby. Or does she? Because behind closed doors, Maya's drowning. Her newborn's taking a toll on her marriage, her best friend won't return her calls, and her company's hanging on by a thread. The worst part? It's all her fault. If she could just be a better boss, mother, wife, daughter, friend… Maybe she wouldn't feel so guilty all the time.

Enter: #Girlboss Liz Anderson, who introduces her to the "guilt pill," an experimental supplement that erases female guilt. At first, it’s the perfect antidote to Maya’s self-blame and imposter syndrome, and she finally becomes the unapologetic woman she’s always wanted to be. But there's a catch: for Maya to truly "have it all," she needs to be ready to risk it all. And as Maya falls deeper and deeper down the pill's guilt-free rabbit hole, her growing ruthlessness could threaten everything she's built for herself—and the family she's worked so hard to protect.

Electric, taut, and sharply observed, The Guilt Pill is a feminist exploration of motherhood, race, ambition, and how the world treats women who dare to go after everything they want.

From the author of Bad Reputation comes a smart and sexy second-chance romance, where exes reunite to adapt a memoir, only to discover that after a decade apart, they might finally be ready for more.

Working with your ex isn’t that bad an idea—not with artistic integrity on the line. Jaime Croft is determined to prove his directorial range, and Scarlett Arbuthnot’s biography is the perfect project. He once thought Scarlett was his perfect match too, but it’s been seventeen years. Surely he’s over it by now.

Or maybe not.

Scarlett is a grand master taking the chess world by storm. If she can handle that pressure, she can handle Jaime Croft. Even if that means working together in close quarters…and constant reminders of how she broke his heart. She didn’t do it without reason, but if he knew the details, he would despise her even more.

As Jaime and Scarlett pore over her memoir, they unlock their own memories, and old feelings rise to the surface. But giving in means abandoning the walls they’ve built to protect themselves, and that’s a move neither one seems ready to make.